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Keyword [Hurston]
Result: 101 - 120 | Page: 6 of 7
101. Virginia Woolf and Zora Neale Hurston: Female voice and the dynamics of female communal expression
102. A critical analysis of Nella Larsen's 'Quicksand' and Zora Neale Hurston's 'Their Eyes Were Watching God'
103. Family resemblances: Zora Neale Hurston's anthropological heritage
104. Zora Neale Hurston's place in American literary culture: A study of the politics of race and gender
105. Signifying gender, race, and religion: Representation as political praxis in the texts of Zora Neale Hurston
106. Mouth, tongue, voice: Crossing boundaries in selected works of Zora Neale Hurston
107. Words without masters: Harriet Jacobs' and Zora Neale Hurston's listenerly text
108. The carnivalesque blues of Zora Neale Hurston
109. Three from the margins of anthropology: Hurston, Bohannan and Powdermaker
110. Setting terms of inclusion: Storytelling as a narrative technique and theme in the fiction of Zora Neale Hurston, Eudora Welty, Leslie Marmon Silko and Maxine Hong Kingston
111. Leadership and freedom: Zora Neale Hurston's 'Moses, Man of the Mountain'
112. The politics of in-difference: Zora Neale Hurston and William Faulkner
113. 'Hitting a straight lick with a crooked stick': Humor and the subversive in three novels by Zora Neale Hurston
114. Opposing stories: Fictions of resistance and the case of Zora Neale Hurston
115. Remembering the goddess within: The functioning of fairy tale and mythic motifs in the novels of Hurston, Walker, Morrison, and Shange
116. 'Zora,' 'Color Struck and Weary Blues' and 'Tea with Zora and Marjorie' (Three plays about the life of Zora Neale Hurston). (Original works);
117. IMAGES OF THE AFRO-AMERICAN FEMALE CHARACTER IN JEAN TOOMER'S 'CANE,' ZORA NEALE HURSTON'S 'THEIR EYES WERE WATCHING GOD,' AND ALICE WALKER'S 'THE COLOR PURPLE'
118. THE MULE OF THE WORLD: AN EXPLORATION OF SEXIST OPPRESSION WITH ZORA NEALE HURSTON AND ALICE WALKER
119. THE EVOLUTION OF THE BLACK HEROINE IN THE NOVELS OF JESSIE FAUSET, NELLA LARSEN, ZORA NEALE HURSTON, TONI MORRISON, AND ALICE WALKER: A CURRICULUM
120. ZORA NEALE HURSTON: A PERSPECTIVE OF BLACK MEN IN THE FICTION AND NON-FICTION (FLORIDA)
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