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Keyword [Ireland]
Result: 181 - 200 | Page: 10 of 10
181. Modernist literary abstraction: Joyce and Stein (James Joyce, Ireland, Gertrude Stein)
182. 'On the far side of revenge': Reconciliation through classical appropriation in postcolonial literature (James Joyce, Ireland, Derek Walcott, St. Lucia, Wole Soyinka, Nigeria, Seamus Heaney, Northern Ireland)
183. Stretched out on her grave: Pathological attitudes toward death in British fiction, 1788--1909 (Emily Bronte, Wilkie Collins, Bram Stoker, Mary Wollstonecraft, Charles Dickens, Ireland)
184. The Salome theme in the wake of Oscar Wilde: Transformative aesthetics of sexuality in modernity (Ireland)
185. Discrepant experiences in the Irish borderlands: Gendered spaces, contested language, and shifting identity in Free Derry, Northern Ireland
186. Philosophical aspects of the tragic subject: Its evolution and contemporary dramatic practice (Samuel Beckett, Ireland, Bernard-Marie Koltes, France, Sharon Pollock, David Greig, Tony Kushner)
187. Seduction rhetoric, masculinity, and homoeroticism in Wilde, Gide, Stoker, and Forster (Oscar Wilde, Ireland, Andre Gide, France, Bram Stoker, E. M. Forster)
188. Late colonial power: Counterpointing Northern Ireland and Puerto Rico in the post-World War II modern/colonial capitalist world-system
189. Inescapable contextuality: Functions of metafictional paradox in 'Tristram Shandy' and 'At Swim-Two-Birds' (Laurence Sterne, Flann O'Brien, Ireland)
190. The new thinking about loss: Language, history and landscape in poetry after Modernism (Seamus Heaney, Ireland, Derek Walcott, St. Lucia, Paul Muldoon, Northern Ireland, Robert Hass)
191. High modernism and the history of automatism (Ireland, Ezra Pound, T. S. Eliot, William Butler Yeats)
192. Congregation of the Sisters of Mercy (Ireland): Analysis of the governance structures
193. 'Red Riding Hood and the wolf in bed': Modernism's fairy tales (James Joyce, Ireland, Djuna Barnes, Virginia Woolf)
194. 'Transcolonial circuits': Historical fiction and national identities in Ireland, Scotland, and Canada
195. Law like love: Marriage, law, and the modern novel (Grant Allen, H. G. Wells, Thomas Hardy, D. H. Lawrence, James Joyce, Ireland)
196. Locating modernism: Constructions of place in W. B. Yeats, Marianne Moore, and Langston Hughes (Ireland)
197. On the verge of the world: Internationalism in the text of modernism (Joseph Conrad, Virginia Woolf, James Joyce, Ezra Pound, Ireland, C. L. R. James)
198. Significant returns: Lacan, masculinity, and modernist traditions (Jacques Lacan, Henry James, Marcel Proust, France, Leopold von Sacher-Masoch, Germany, James Joyce, Ireland)
199. Social issues in urban economics (Northern Ireland)
200. 'My passport's green': Irishness in the new world order (Northern Ireland, James Ryan, Colm Toibin, Eoin McNamee, Robert McLiam Wilson, Frank McCourt)
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