Keyword [J.S.Bach]
Result: 81 - 97 | Page: 5 of 5 |
| 81. | A performer's guide to the English Suites of J. S. Bach, BWV 806-11 |
| 82. | Written-out ornaments in J. S. Bach's organ music as a model for improvised ornamentation |
| 83. | Prelude of Suite V for cello solo by J. S. Bach: Options for performance |
| 84. | Johann Pachelbel's cantata 'Christ lag in Todesbanden': Its significance as a possible model for J. S. Bach's Cantata No. 4 |
| 85. | Ornamentation in the music of J. S. Bach: A study of formal design, motivic continuity, and aesthetic value |
| 86. | Jindrich Feld's Introduzione, Toccata e Fuga per Flauto Solo, with three recitals of selected works of J. S. Bach, Mozart, Messiaen, Berio, Martinu, Persichetti, and others |
| 87. | J. S. Bach's Chaconne in D Minor: An examination of three arrangements for piano solo |
| 88. | The diversity of contrapuntal writing illustrating rigorous to casual application of fugal practices in selected cantatas of J. S. Bach |
| 89. | A Schenkerian study of J. S. Bach's 'Two-part Inventions' presented in their original ordering |
| 90. | The influence of Chinese folk and instrumental music on Tcherepnin's 'Chinese Mikrokosmos,' a lecture recital, together with three recitals of selected works of J. S. Bach, W. A. Mozart, C. Debussy, S. Rachmaninoff, D. Shostakovich, and others |
| 91. | Aria forms in the vocal works of J. S. Bach, 1714-1724 |
| 92. | A stylistic comparison of two cantata settings based on the chorale 'Nun komm, der Heiden Heiland' by G. P. Telemann and J. S. Bach |
| 93. | THE BAROQUE VIOLONCELLO AND THE UNACCOMPANIED CELLO SUITES OF J. S. BACH, B.W.V. 1007-1012 |
| 94. | THE REPERTOIRE OF MAGNIFICATS IN LEIPZIG AT THE TIME OF J. S. BACH: A STUDY OF THE MANUSCRIPT SOURCES. (VOLUMES I AND II) |
| 95. | A conceptual method of learning jazz improvisation through studying the music of J. S. Bach |
| 96. | The development and application of keyboard fingering principles in the music of J. S. Bach and C. P. E. Bach: An analysis in comparison with modern approaches to fingering, and the utilization of the J. C. Bach-Ricci Method for nurturing a versatile tech |
| 97. | A Preliminary Study On The Playing Version Of The BWV807 Of Bach's English Suite |
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