Keyword [Jane Eyre]
Result: 141 - 160 | Page: 8 of 9 |
| 141. | Novel Translation As Creative Treason From The Perspective Of Deconstruction Theory |
| 142. | Representation Of Modal Meaning In Translating Dialogues In Jane Eyre-A Functional Linguistic Perspective |
| 143. | Love Is Deep In The Soul |
| 144. | "The Destination Of Soul" Dramar "Jane Eyre" Creative Director Explained |
| 145. | Walking Invisible |
| 146. | On Paintings In Jane Eyre |
| 147. | A Comparative Study Of "Jane Eyre" And "Song Of Youth" From The Perspective Of Growth Novels |
| 148. | Charlotte Bronte and the politics of beauty |
| 149. | Boggley wollah and 'sulphur-steams': Colonialism in 'Vanity Fair' and 'Jane Eyre' |
| 150. | A typological analysis of 'Jane Eyre' and 'Uncle Tom's Cabin' |
| 151. | The Victorian outcast: A study of Charlotte Bronte's 'Jane Eyre' and George Eliot's 'Silas Marner' |
| 152. | Accessibility in Michael Berkeley's 'Jane Eyre' |
| 153. | 'Jane Eyre' and her transatlantic literary descendants: The heroic female bildungsroman and constructions of national identity |
| 154. | 'Myself yet not quite myself': 'Jane Eyre', 'Wide Sargasso Sea', and a third space of enunciation, and, 'Being herself invisible, unseen, unknown': 'Mrs. Dalloway', 'The Hours', and the re-inscribed lesbian woman |
| 155. | 'Only the spark of the spirit will remain:' Problems in adapting 'Jane Eyre' for 1940s cinema |
| 156. | Creole identity from shifting points of view: The West Indies from Shakespeare to Jean Rhys |
| 157. | The dark continent: Europe's encroachment upon English identity in Jane Eyre and Villette |
| 158. | Between herself and herself: The projected personal in 'Jane Eyre' |
| 159. | Victorian man-making: Shifting trends in Victorian masculinities in 'Jane Eyre', 'Shirley', and 'Middlemarch' (Charlotte Bronte, George Eliot) |
| 160. | 'Jane Eyre' and what adaptors have done to her |
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