Keyword [Lutoslawski]
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| 1. | The Thinking And The Technique Of Witold Lutoslawski's Creation Of The Mature Period |
| 2. | Analysis Of The Artistic Features And Performance Of Witold Lutoslawski's Variation On A Theme By Paganini |
| 3. | A Study To The Timbre-Acoustics Structure Of Lutoslawski's SYMPHONY NO.3 |
| 4. | On The Characteristics Of Early Creation Techniques Of Lutoslavsky From "Band Concerto" |
| 5. | The Characteristics Of "Chain Technique" From Rutuslavsky 's "Chain Ⅱ" |
| 6. | Lutoslawski And His Limited Occasional Music |
| 7. | The Structure Of Thinking In Their Music. From Lutuo Slavic Chomsky Texture Sound |
| 8. | Orchestral Works "Mi-parti" Research |
| 9. | A Comprehensive Analysis Of The Composing Technique In Lutoslawski’s "Livre Pour Orchestre" |
| 10. | On Lutoslawskis Late Music "Bansfomation" And "Breakthrough" |
| 11. | Study Of The Play Of Witold Lutoslawski's Variation On A Theme By Paganini |
| 12. | Research On The Similarity Between "Preset And Interaction" In Interactive Electronic Music And"controlled Chance" By Lutos?awski |
| 13. | Analysis of expressive qualities in Witold Lutoslawski's Partita |
| 14. | The greater lyrical form: An inclusive formalist study (Schelling, Coleridge, Beethoven, Chopin, Wordsworth, Shelley, Schubert, Keats, Tennyson, Lutoslawski, Aiken, Bishop) |
| 15. | An analysis of Witold Lutoslawski's 'Variations on a Theme by Paganini' for two pianos and an original composition 'Concerto for Two Pianos and Orchestra |
| 16. | Research On Polyphonic Thinking And Polyphonic Techniques In Lutoslawski's Concerto For Orchestra |
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