Keyword [O'neill]
Result: 181 - 200 | Page: 10 of 10 |
| 181. | Trauma on stage: Psychoanalytic readings of contemporary American drama (Tennessee Williams, Eugene O'Neill, Paula Vogel, Margaret Edson) |
| 182. | Greek origins of O'Neill's 'Mourning Becomes Electra' (Eugene O'Neill, Aeschylus) |
| 183. | Expressionism in Eugene O'Neill and Elmer Rice |
| 184. | Existential/psychoanalytic perspectives of Eugene O'Neill as a social critic in selected plays (Friedrich Nietzsche, Jean-Paul Sartre, R. D. Laing) |
| 185. | Unseen characters in selected plays of Eugene O'Neill, Tennessee Williams, and Edward Albee |
| 186. | Eugene O'Neill and his critics |
| 187. | Beyond the ground row: The lighting design for 'Beyond the Horizon' by Eugene O'Neill |
| 188. | The Chinese affinity of Eugene O'Neill: A study of Taoist ideas in O'Neill's plays and his influence upon modern Chinese drama (Hong Shen, Cao Yu) |
| 189. | Postmodern considerations of Nietzschean perspectivism in selected works of Eugene O'Neill |
| 190. | The power of myth: A study of Chinese elements in the plays of O'Neill, Albee, Hwang, and Chin |
| 191. | Eugene O'Neill: Art as religious quest |
| 192. | Jung's incest fantasy and the deleterious nature of pipe dreams in the late plays of Eugene O'Neill |
| 193. | William Shakespeare and Eugene O'Neill: An analysis of power |
| 194. | Violence in three plays by Eugene O'Neill: 'The Emperor Jones', 'Desire Under the Elms' and 'Long Day's Journey into Night' |
| 195. | Rank, Ibsen, and O'Neill: Birth trauma and creative will in selected dramas |
| 196. | Who troubled the waters? A study of the motif of intrusion in five modern dramatists: John Millington Synge, Eugene O'Neill, Edward Albee, Tennessee Williams, and Harold Pinter |
| 197. | Past and present in American drama: The case of Eugene O'Neill and Sam Shepard |
| 198. | Death in the tragedies of William Shakespeare and Eugene O'Neill |
| 199. | THE THEME OF DEATH, SYMBOLICALLY AND MOTIVATIONALLY, IN THE PLAYS OF EUGENE O'NEILL |
| 200. | THE EXISTENTIAL QUEST: FAMILY AND FORM IN SELECTED AMERICAN PLAYS (EUGENE O'NEILL, ARTHUR MILLER, TENNESSEE WILLIAMS, NON-BEING) |
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