Keyword [Paris] Result: 181 - 200 | Page: 10 of 10 |
181. | Elements of mass society: Spectacular identity and consumer logic in Paris (1830--1848) |
182. | Founding culture: Art, politics and organization at the Paris Opera, 1669--1792 (France) |
183. | Cutting a figure: Tailoring, technology and social identity in nineteenth-century Paris |
184. | The revolutionary politics of surrealism in Paris, 1934--1939 |
185. | Signs of power: Iconoclasm in Paris, 1789-179 |
186. | The metropolitain: Technology, space and the creation of urban identities in fin-de-siecle Paris |
187. | The cultural politics of Paris Dada, 1914--1922 |
188. | The Franciscans in Paris, 1560-1600 (France) |
189. | Discovery and enlightenment at sea: Maritime exploration and observation in the 18th-century French scientific community |
190. | Poetic surrealism in the films of Bernardo Bertolucci: 'The Spider's Strategem', 'The Conformist' and 'Last Tango in Paris' |
191. | An investigation of the relationship between popular music and Analytic Cubist paintings in prewar Paris |
192. | An ethnographic study on media use and cultural articulation: The case of Moroccan migrants in Paris, France |
193. | Working women in thirteenth-century Paris |
194. | Le role de la Societe Nationale et de la Societe Musicale Independante dans la creation musicale a Paris de 1909 a 1935 |
195. | Ravier versus the lyonnais tradition: 'Provincial' art and the avant-garde in nineteenth-century France |
196. | Imaginary Paris: Surrealism and popular culture in early twentieth-century France |
197. | Georges Bataille in the Paris avant-garde, 1920--1940 |
198. | The 'American School' in Paris: The repatriation of American art at the universal exposition of 1900 |
199. | Tooters and tutors: Flute performance practice derived from pedagogical treatises of the Paris Conservatoire, 1838-1927 |
200. | The Paris Conservatoire concours tradition and the solos de concours for flute, 1955-1990 |
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