Keyword [Pasolini]
Result: 1 - 20 | Page: 1 of 2 |
| 1. | Pier Paolo Pasolini And His Comments On Poetic Essence Of Cinema |
| 2. | A hermeneutics of film: Pasolini's semiotics and a cinema of the sacred |
| 3. | Imputato Pasolini: Una rilettura dei processi tra diritto e letteratura |
| 4. | Mater of transformation. Poiesis and autopoiesis in Ovid's 'Metamorphoses', Benvenuto Cellini's 'Vita' and Pier Paolo Pasolini's 'Petrolio' |
| 5. | Heretical creativity: Ethical, political and aesthetical proposals in Pier Paolo Pasolini's 'Theorem' and 'The Pigsty' |
| 6. | Using the REAL as a poetic element in cinema: A free form writing experiment based on the work of Pier Paolo Pasolini |
| 7. | Cinepoiesis: The visual poetics of Pier Paolo Pasolini, Michelangelo Antonioni and Franco Piavoli |
| 8. | Space and time of industry in Italian cinema and literature, 1954--1964: Michelangelo Antonioni, Pier Paolo Pasolini and Italo Calvino |
| 9. | 'A force from the past': The medieval imagination of Pier Paolo Pasolini (Italian text) |
| 10. | 'Never trust the teller,' he said. 'Trust the tale': Narrative technique from the 'Arabian Nights' to postmodern adaptations by Rabih Alameddine and Pier Pasolini |
| 11. | Parola e immagine nel novecento italiano: L'ekphrasis in Longhi, Banti, Pasolini e Testori |
| 12. | Tracing the form of the post-neorealist city. Rome in the early films of Pier Paolo Pasolini: 'Accattone', 'Mamma Roma', and 'La ricotta' |
| 13. | 'Udiste che fu detto..., ma io dico che...': Pasolini as interpreter of the Gospel of Matthew |
| 14. | The buffoon and the magician: Poetry, spectacle and critical discourse in the works of Pier Paolo Pasolini |
| 15. | At home in the city: Urban transformation and the modern Italian subject (Carolina Invernizio, Massimo Bontempelli, Anna Maria Ortese, Pier Paolo Pasolini) |
| 16. | Alcune note sul rapporto tra critica letteraria e concetto di 'traducibilita.' La prospettiva di Antonio Gramsci tra Francesco de Sanctis e Pier Paolo Pasolini |
| 17. | Renaissance, Mannerist anad Baroque painting in the films of Pier Paolo Pasolini |
| 18. | Stupendous, miserable city: Pasolini, Rome, cinema |
| 19. | Pier Paolo Pasolini (1922--1975) ed Ezra Pound (1885--1972): Paesaggi culturali a confronto tra 1968 e 1975 (Italian text) |
| 20. | Representations of India in post-war Italian literature and cinema: Pasolini, Rossellini, and Antonioni |
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