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Keyword [Resnais]
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1.
From The Literary Alan Resnais Film To See The "Left Bank" To The Development Of Literature And The Influence Of Movies
2.
The inner 'I': Self-reference in the text-production interface in Beckett's 'Endgame' and Robbe-Grillet's/Resnais' 'Last Year at Marienbad'
3.
Difference and the reality of fiction in a theoretical world: Beckett, Resnais, and Deleuze
4.
Cinematic caesuras: Experimental documentary and the politics of form in Left Bank films by Resnais, Marker, Varda (Alain Resnais, Chris Marker, Agnes Varda)
5.
Stream of consciousness on film: Strategies of representation (Bernardo Bertolucci, Italy, Alain Resnais, France, Darren Aronofsky)
6.
Subjectivity in literature and cinema: Alain Resnais's collaborations with three modernist novelists (Marguerite Duras, Jean Cayrol, Alain Robbe-Grillet, Atom Egoyan, France)
7.
Memory, History, and Trauma in Chris Marker, Alain Resnais, Alexander Kluge, and Mira Nair's Films
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