Keyword [Robert Browning]
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| 1. | The Soul Of Robert Browning's Poetic Art |
| 2. | An Analysis Of The Three Main Characters In Robert Browning's The Ring And The Book |
| 3. | The Poetry Of The Future |
| 4. | On Cinematic Narrative Feature Of Robert Browning's Poetry |
| 5. | Re-reading Robert Browning's Dramatic Monologue |
| 6. | On Chinese Translations Of Robert Browning's Poetry |
| 7. | The Art Of Robert Browning's Poetry From The Perspective Of New Criticism |
| 8. | On Polyphonic Features Of Robert Browning's Poetry In Comparison With Dramatization |
| 9. | E.B. Browning’s Poems Of Sexual Harmony: An Outline Discourse Made In A Comparative Field |
| 10. | A Tentative Pragmastylistic Study Of Robert Browning’s Dramatic Monologue |
| 11. | The Modernistic Elements In Browning’s Dramatic Monologue |
| 12. | Speech Act Analysis Of Dramatic Monologue |
| 13. | Dialogue In Monologue |
| 14. | Transcending the self in Robert Browning and T. S. Eliot |
| 15. | The witness of the text in Wordsworth, Coleridge, and Browning (William Wordsworth, Samuel Taylor Coleridge, Robert Browning) |
| 16. | Word-making 'as erst in Eden': Robert Browning and the question of the origin and growth of language in Victorian England, 1861--1889 |
| 17. | The poetry of indifference from the Romantics to the 'Rubaiyat' (John Keats, Lord Byron, Alfred, Lord Tennyson, Edward FitzGerald, Omar Khayyam, Robert Browning) |
| 18. | Engaging the dialogic: Bakhtin and Chaucer, Milton, and Browning (Mikhail Bakhtin, Geoffrey Chaucer, John Milton, Robert Browning) |
| 19. | Translating Greek tragedy: Elizabeth Barrett and Robert Browning |
| 20. | From the madhouse to the unreal city: The dramatic monologue, polyvocality, and agency in Robert Browning, Sarah Piatt, and T. S. Eliot |
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