Keyword [Selected plays]
Result: 1 - 18 | Page: 1 of 1 |
| 1. | The Blues In The Selected Plays Of August Wilson |
| 2. | The Return Of Morality:Moral Values In Arthur Miller’s Selected Plays |
| 3. | Cultural Memory In August Wilson's Selected Plays |
| 4. | Blackness, femaleness, and ethics: Moral dilemmas in selected plays of Pearl Cleage |
| 5. | Stranger in a strange land: Autobiography in selected plays by Eugene O'Neill |
| 6. | The woman's aesthetic in selected plays of Maria Irene Fornes, Holly Hughes, Wendy Wasserstein, Marsha Norman and Suzan-Lori Parks |
| 7. | Language and the divided self: Ethical and psychoanalytical readings of selected plays by Eugene O'Neill |
| 8. | ''Tis paltry to be Caesar': Postcolonial intimations in Shakespeare's selected plays |
| 9. | A psychosemiotic study of silence in selected plays by African American women dramatists |
| 10. | Strategies of coping with social oppression in selected plays of August Wilson |
| 11. | Existential/psychoanalytic perspectives of Eugene O'Neill as a social critic in selected plays (Friedrich Nietzsche, Jean-Paul Sartre, R. D. Laing) |
| 12. | Unseen characters in selected plays of Eugene O'Neill, Tennessee Williams, and Edward Albee |
| 13. | Gender role strain in selected plays by August Wilson |
| 14. | Emi: The concept of spirit in selected plays of August Wilson |
| 15. | The drama of dispossession in selected plays of six major American playwrights |
| 16. | Angry young people: The working class adolescent in contemporary English drama as portrayed in selected plays by Peter Terson, Barbie Keeffe, Nigel Williams, and Stephen Poliakoff |
| 17. | Keeping the other in its place: Language and self-fashioning in selected plays of Harold Pinter |
| 18. | AN ANALYSIS OF CHARACTERS IN SELECTED PLAYS OF EUGENE O'NEILL ACCORDING TO ERIK H. ERIKSON'S IDENTITY THEORY |
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