Keyword [Stoppard]
Result: 1 - 20 | Page: 1 of 1 |
| 1. | On Tom Stoppard Literati Drama |
| 2. | Decoding Tom Stoppard's Works In The Postmodern Context |
| 3. | In Search Of Reality--A Study Of Tom Stoppard's Major Plays |
| 4. | On Tom Stoppard's Travesties |
| 5. | Parody, Anti-hero, And Absurdity Of Life:An Analysis Of Black Humor In Rosencrantz And Guildenstern Are Dead |
| 6. | On Absurdity In Rosencrantz And Guildenstern Are Dead |
| 7. | Dramatic Presentation Of Multiple Personality And Chaotic Society |
| 8. | The Artist In Danger: Tom Stoppard’s Allegories Of Art |
| 9. | Conservatism In Tom Stoppard’s Plays |
| 10. | Parody And Restructure:Stoppard’s Postmodern Rewriting Of Hamlet |
| 11. | On Tom Stoppard’s Rosencrantz And Guildenstern Are Dead |
| 12. | The Existentialist Reading Of Rosencrantz And Guildenstern Are Dead |
| 13. | Deconstruction Of "Hamlet"-A Comparative Analysis Of "Rosengrants And Gildenston Are Dead" And "Hamlet Machine" |
| 14. | Radio texts: The broadcast drama of Orson Welles, Dylan Thomas, Samuel Beckett, and Tom Stoppard |
| 15. | Variations: Influence intertextuality, and Milan Kundera, Jean Rhys, and Tom Stoppard |
| 16. | SPECTATOR AS HERO: THE CRITIQUE OF PHILOSOPHICAL IDEALISM IN THE PLAYS OF TOM STOPPARD |
| 17. | On The Historical Narrative Of Tom Stoppard’s Plays |
| 18. | Metaphorical Writings Of Home Country And The Consciousness Of "The Other" Identity In Tom Stoppard’s Plays |
| 19. | Tom Stoppard’s Critique Of Ideologies In Jumpers,Arcadia,and Rock ’N’ Roll |
| 20. | Construction Of Flora’s Gender Identity In Indian Ink |
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