Keyword [Suzan-lori Parks]
Result: 1 - 20 | Page: 1 of 2 |
| 1. | Venus’ Polyphony——a Bakhtinian Interpretation Of Parks’ Venus |
| 2. | A Study Of Trauma In Parks’ Topdog/Underdog |
| 3. | A Metadramatic Interpretation Of Suzan-Lori Parks’s Three Plays |
| 4. | On Plight Theme In Suzan-lori Parks’ Plays |
| 5. | Repetition And Revision:the History Writing In Suzan-Lori Parks's Plays |
| 6. | Representation Of History In The Plays Of Suzan-Lori Parks |
| 7. | A Study Of The Defamiliarization In Suzan-Lori Parks's Plays |
| 8. | A Study Of Masculinity Crisis In Suzan-Lori Parks' Topdog/Underdog |
| 9. | On The Self-identity Of Negritude In Topdog/Underdog |
| 10. | On The Representation Of Medea's Spirits In Suzan-lori Parks's Three Major Plays From The Perspective Of Gaze Theory |
| 11. | 'The melting pot where nothing melted': The politics of subjectivity in the plays of Suzan-Lori Parks, Wendy Wasserstein, and Tony Kushner |
| 12. | Performing history: History and politics in the works of Suzan-Lori Parks, Anna Deavere Smith, Naomi Wallace, and Charles Mee |
| 13. | Haunted heritage: History, memory, and violence in the drama of August Wilson and Suzan-Lori Parks |
| 14. | A society unmasked: Globalization and the drama of Suzan-Lori Parks |
| 15. | The woman's aesthetic in selected plays of Maria Irene Fornes, Holly Hughes, Wendy Wasserstein, Marsha Norman and Suzan-Lori Parks |
| 16. | Black surrogacy: Refiguring myth, memory, and motherhood in Suzan-Lori Parks' 'The America Play', 'Topdog/Underdog', and 'In the Blood' |
| 17. | Aspects of the minor: Deleuzian approaches to Carolyn Chute, Peter Greenaway and Suzan-Lori Parks |
| 18. | Vivisecting the nation's body: Ritual, blood sacrifice in the work of Luis Valdez, August Wilson and Suzan-Lori Parks |
| 19. | Speaking of the Body: The Maternal Body, Race, and Language in the Plays of Cherrie Moraga, Suzan-Lori Parks, and Tony Kushne |
| 20. | Searching For An Equilibrium: Racial Politics In Suzan-Lori Parks' Lincoln Plays |
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