Keyword [Tennessee Williams]
Result: 121 - 136 | Page: 7 of 7 |
| 121. | Trauma on stage: Psychoanalytic readings of contemporary American drama (Tennessee Williams, Eugene O'Neill, Paula Vogel, Margaret Edson) |
| 122. | Writing silence: Awakening the unspoken (with Original writing, Short stories, Poetry, Novella, Alice Walker, Tennessee Williams, Sandra Cisneros, Zora Neale Hurston) |
| 123. | Tennessee Williams in Korean theatre |
| 124. | Unseen characters in selected plays of Eugene O'Neill, Tennessee Williams, and Edward Albee |
| 125. | Reflexive drama, coded narrative, and artistic solipsism: Metadrama in Tennessee Williams's 'The Glass Menagerie', 'Suddenly Last Summer', and 'The Two-Character Play' |
| 126. | The rhetoric of victimization in Tennessee Williams' 'The Glass Menagerie': The development, performance and reception of Laura Wingfield's characterization |
| 127. | Stage directions as narrative: A rhetorical analysis of Tennessee Williams' 'The Glass Menagerie' |
| 128. | Portraits of displaced women: Tennessee Williams' Amanda Wingfield, Laura Wingfield, and Blanche DuBois |
| 129. | Memory plays: Historical and narrative analysis of mediacy in first-person focalized drama (Tennessee Williams, Peter Shaffer, Brian Friel, Larry Kramer) |
| 130. | Against the tragic myth: The surprisingly successful heroines of Tennessee Williams |
| 131. | Who troubled the waters? A study of the motif of intrusion in five modern dramatists: John Millington Synge, Eugene O'Neill, Edward Albee, Tennessee Williams, and Harold Pinter |
| 132. | THE EXISTENTIAL QUEST: FAMILY AND FORM IN SELECTED AMERICAN PLAYS (EUGENE O'NEILL, ARTHUR MILLER, TENNESSEE WILLIAMS, NON-BEING) |
| 133. | TENNESSEE WILLIAMS' LATE STYLE: THE AGING PLAYWRIGHT AND HIS IMAGINATION |
| 134. | The Fantasy World Of Tennessee Williams:A Study Of The Glass Menagerie From The Perspective Of Psychological Defense Mechanism |
| 135. | A Study On Mother-Daughter Relationship In The Glass Menagerie |
| 136. | Interpretation Of A Streetcar Named Desire From Polyphonic Perspective |
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