Their Eyes Were Watching God - Globe Thesis

Keyword [Their Eyes Were Watching God] Result: 61 - 76 \| Page: 4 of 4
61.	Black Masculinity In Their Eyes Were Watching God
62.	On Primitivism Inclination In Their Eyes Were Watching God
63.	In Search Of Androgynous "God"
64.	Hues, tresses, and dresses: Examining the relation of body image, hair, and clothes to female identity in 'Their Eyes Were Watching God' and 'I Know Why the Caged Bird Sings'
65.	Bending the tree, building the woman: A stylistic approach to voice and vision in 'Their Eyes Were Watching God'
66.	The camera is mightier than the pen: Resistance, revolution, and revision in the film adaptations of Alice Walker's 'The Color Purple', Zora Neale Hurston's 'Their Eyes Were Watching God', and Toni Morrison's 'Beloved'
67.	The non-verbal visual as agency: African American women's communication in Zora Neale Hurston's 'Their Eyes Were Watching God'
68.	A Rationale for the African American Man's Destruction in Alice Walker's 'Third Life of Grange Copeland' and 'The Color Purple' and Zora Neale Hurston's 'Their Eyes Were Watching God'
69.	'Love is Lak de Sea': Figurative language in Zora Neale Hurston's 'Their Eyes Were Watching God'
70.	Secondary orality in 'Their Eyes Were Watching God' and 'The Color Purple' (Zora Neale Hurston, Alice Walker)
71.	A critical analysis of Nella Larsen's 'Quicksand' and Zora Neale Hurston's 'Their Eyes Were Watching God'
72.	IMAGES OF THE AFRO-AMERICAN FEMALE CHARACTER IN JEAN TOOMER'S 'CANE,' ZORA NEALE HURSTON'S 'THEIR EYES WERE WATCHING GOD,' AND ALICE WALKER'S 'THE COLOR PURPLE'
73.	Black Women’s Identity Construction:a Study Of Zora Neale Hurston’s Their Eyes Were Watching God From The Perspective Of Leisure
74.	A Study Of Their Eyes Were Watching God From The Perspective Of New Historicism
75.	A Study Of Characters In Their Eyes Were Watching God From The Perspective Of Jungian Collective Unconscious
76.	Alienation And Resistance In Their Eyes Were Watching God
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