Keyword [Walter]
Result: 181 - 200 | Page: 10 of 10 |
| 181. | Medusian politics: Walter Benjamin and the aesthetics of power |
| 182. | Passages of revolutionary desire: The writings of Julio Cortazar and Walter Benjamin |
| 183. | Remembrance and the tradition of the oppressed: Walter Benjamin's Messianic hermeneutics |
| 184. | The rescue of romanticism: John Ruskin and Walter Pater |
| 185. | Clothing and adornment imagery in the English works of Walter Hilton, fourteenth-century mystic |
| 186. | From aesthetics to redemptive politics: A political reading of the theological aesthetics of Hans Urs von Balthasar and the materialist aesthetics of Walter Benjamin |
| 187. | Negative dialogues: A study of Harold Innis and Marshall McLuhan in the light of the negative dialectics of Theodor Adorno and Walter Benjamin |
| 188. | 'Clio's Fictions' and the case of Walter Pater: Narrative form and historical understanding, ancient models and modern constructions |
| 189. | The politics of melancholia: Studies in the work of Walter Benjamin |
| 190. | Walter Benjamin's theory of narrative |
| 191. | From agon to allegory: Walter Benjamin and the drama of language |
| 192. | Defiant cooperation: Walter Wanger and independent production in Hollywood, 1934-1949 |
| 193. | EDWIN WALTER DICKINSON: AN ICONOLOGICAL INTERPRETATION OF THE MAJOR SYMBOLICAL PAINTINGS |
| 194. | MESSIANIC TIME AND GERMAN POLITICS BETWEEN THE WARS (1919-1940): A COMPARATIVE ANALYSIS OF THE WRITINGS OF PAUL TILLICH AND WALTER BENJAMIN |
| 195. | THE DESTRUCTIVE CHARACTER: WALTER BENJAMIN AND A SITUATIONIST APPROACH TO ENGLISH LITERATURE AND POP MUSIC SINCE THE 1930S (GRAHAM GREENE, COLIN MACINNES, MARXIST CRITICISM, INTERNATIONAL, MASS CULTURE) |
| 196. | WALTER GEORGII'S KLAVIERMUSIK, PART II: A TRANSLATION AND COMMENTARY |
| 197. | FILM CULTURE AND 'KULTURFILM': WALTER RUTTMANN, THE AVANT-GARDE FILM, AND THE 'KULTURFILM' IN WEIMAR GERMANY AND THE THIRD REICH |
| 198. | Taking the World by Storm: Forgiveness in Walter Benjamin's Early Works |
| 199. | A comparative analysis of the preaching of Walter Rauschenbusch, Charles Sheldon, and George W. Truett as related to social ministry |
| 200. | Minstrels in the drawing room: music and novel-reading in Johann Wolfgang von Goethe, Walter Scott, and George Eliot |
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