Keyword [William Shakespeare]
Result: 81 - 100 | Page: 5 of 6 |
| 81. | They saw Othello's visage with their minds: Interpreting 'Othello' in the antebellum North (William Shakespeare) |
| 82. | The sexual turn: Emotional bonds and the social world in early modern English literature (Edmund Spenser, William Shakespeare, Sir Philip Sidney) |
| 83. | Crowd control: The corporate body on the Renaissance stage (William Shakespeare, Ben Jonson) |
| 84. | Intercultural theatre: Two Beijing opera adaptations of Shakespeare (China, William Shakespeare, Taiwan) |
| 85. | The children's companies: Elizabethan aesthetics and Jacobean reactions (William Shakespeare, Ben Jonson) |
| 86. | Representing prostitution in Tudor and Stuart England (William Shakespeare, Ben Jonson, Thomas Middleton, Robert Greene, Thomas Dekker) |
| 87. | Unruly bodies: Performing femininity in early modern England (William Shakespeare, John Ford, Thomas Heywood, Ben Jonson) |
| 88. | Plotting early modernity: Practical knowledge and the architectonics of English dramatic form (William Shakespeare, Thomas Dekker, Ben Jonson) |
| 89. | Performing marriage in early modern England: Wooing and wedding in 'The Shoemaker's Holiday', 'The Taming of the Shrew', 'The Spanish Tragedy', and 'Titus Andronicus' (Thomas Dekker, Thomas Kyd, William Shakespeare) |
| 90. | Shakespeare's comic discourse as an instrument of multiple communication: A pragmatic approach (Spanish text, William Shakespeare) |
| 91. | Subjectivity and intimacy in Shakespeare and Jonson: Toward an antifoundational history of culture (Ben Jonson, William Shakespeare) |
| 92. | Playing alone: Dramatic literature in the English Renaissance (Ben Jonson, John Marston, William Shakespeare) |
| 93. | Examining the patriarchal dynamic of William Shakespeare's 'The Merchant of Venice', 'Othello', and 'Cymbeline' |
| 94. | Pasternak's translations of Shakespeare: Towards a definition of Pasternak's poetics as translator (Boris Pasternak, William Shakespeare, Russian text) |
| 95. | The politics of desire: William Shakespeare's 'history' and the question of subjectivity in 'Richard III', 'Richard II', 'Henry IV I', and 'Henry IV II' |
| 96. | William Shakespeare and Eugene O'Neill: An analysis of power |
| 97. | 'Mad in craft': Action and melancholy in William Shakespeare's Hamlet |
| 98. | Death in the tragedies of William Shakespeare and Eugene O'Neill |
| 99. | PROSPERO'S ALCHEMY: THE METAPHOR OF PSYCHOLOGICAL CHANGE IN WILLIAM SHAKESPEARE'S 'THE TEMPEST' (JUNGIAN, REBIRTH, TRANSFORMATION) |
| 100. | Catholicism, classical imitation, and St. Ignatian meditation in the sonnets of William Shakespeare |
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