Keyword [Wole Soyinka]
Result: 1 - 16 | Page: 1 of 1 |
| 1. | A Dance Of The Forest: On Wole Soyinka's Dramas In The Context Of Post-Colonialism |
| 2. | An Analysis Of The Death Theme In Wole Soyinka's Drama |
| 3. | The Comparative Study Of Wole Soyinka And Lu Hsun’ Cultural Consciousness In The Period Of Cultural Transition |
| 4. | A Study Of Satire In The Plays Of Wole Soyinka |
| 5. | A Study Of Wole Soyinka’s Culture Philosophy |
| 6. | Hybridity Of Yoruban And Western Cultures:Research Of The Lion And The Jewel And Death And King S Horseman |
| 7. | The Interpretation Of Wole Soyinka’s Plays In The Perspective Of Postcolonial Ecocriticism |
| 8. | Brief Analysis Of Wole Soyinka's Theory Of Post-colonialism |
| 9. | Wole·Soyinka In The Movement Of Mbari |
| 10. | A Comparative Study Of Soyinka's And Beckett's Absurd Plays |
| 11. | Interpretation On Yoruba Culture Of “Being Buried Alive” In Soyinka's Plays |
| 12. | Micro-Politics In Minor Literature Of Soyinka |
| 13. | Dionysus And Scapegoat |
| 14. | Soyinka, Baraka, Wilson: The Ogunian archetype (Wole Soyinka, Amiri Baraka, August Wilson) |
| 15. | 'On the far side of revenge': Reconciliation through classical appropriation in postcolonial literature (James Joyce, Ireland, Derek Walcott, St. Lucia, Wole Soyinka, Nigeria, Seamus Heaney, Northern Ireland) |
| 16. | Ritual Writing And Cultural Memory Reconstruction In Soyinka's Drama |
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