Keyword [Zimbabwe]
Result: 21 - 40 | Page: 2 of 3 | | 21. | Religion, women, and gender in the Brethren in Christ Church, Matabeleland, Zimbabwe, 1898--1978 | | 22. | 'White writing' from the Veld: Female voices of Southern Africa, 1877--1952 (Zimbabwe, Mary Ann, Lady Barker, Olive Schreiner, Doris Lessing) | | 23. | Female developments in the modern novel: Neera, George Eliot, Susanna Tamaro, Sibilla Aleramo, Doris Lessing, and Gertrude Stein (Italy, Zimbabwe) | | 24. | The problematic postcolonial narrative: Intertextuality and empire in African and Afro-Caribbean fiction and film (Tsitsi Dangarembga, Zimbabwe, J. M. Coetzee, South Africa, Jamaica Kincaid, Antigua) | | 25. | The imperial garden: Englishness and domestic space in Virginia Woolf, Doris Lessing, and Tayeb Salih (Zimbabwe, Sudan) | | 26. | The female self, body and food: Strategies of resistance in Doris Lessing, Margaret Atwood, Zhang Jie and Xi Xi (China, Zimbabwe) | | 27. | Writing at a loss: Nation and nuclearism in the twentieth-century English novel (Ford Madox Ford, Julian Barnes, Graham Swift, Raymond Briggs, Doris Lessing, Zimbabwe) | | 28. | Cities of affluence and anger: Urbanism and social class in twentieth century British literature (E. M. Forster, Evelyn Waugh, Doris Lessing, Joseph Conrad, Salman Rushdie, Zimbabwe, India) | | 29. | Women, marriage, and madness in Jean Rhys's 'Wide Sargasso Sea', Virginia Woolf's 'Mrs. Dalloway', and Doris Lessing's 'The Golden Notebook', as seen through Charlotte Gilman Perkin's 'The Yellow Wallpaper' (Dominica, Zimbabwe) | | 30. | The metafictional alchemy of Doris Lessing: The fusion of the rational and the transcendental in her speculative works in the light of reader-response theory (Zimbabwe) | | 31. | Diving into the wreck: The feminist novel of self-discovery (Doris Lessing, Zimbabwe, Erica Jong, Kate Millett, May Sarton, Margaret Drabble) | | 32. | Cultivating conflict: 'Improved' agriculture and modernization in colonial Zimbabwe, 1920--1965 | | 33. | The political awakening novels of Margaret Atwood, Doris Lessing, and Michelle Cliff: Narrative strategy, reader response, and utopian desire (Zimbabwe, Jamaica) | | 34. | 'Wholeness is no trifling matter': An intertextual study of Black women's psychic (dis)eases in novels by contemporary Pan-African women (Tsitsi Dangarembga, Gloria Naylor, Toni Cade Bambara, Simone Schwarz-Bart, Zimbabwe, Guadeloupe) | | 35. | 'Coming home to roost': Some reflections on moments of literary response to the paradoxes of empire (Joseph Conrad, J. M. Coetzee, Bessie Head, South Africa, Doris Lessing, Zimbabwe, Mike Phillips, Guyana) | | 36. | 'A new frontier': The novels of Doris Lessing and the sciences of complexity (Zimbabwe) | | 37. | Rising to the surface: Suicide as narrative strategy in twentieth century women's fiction (Kate Chopin, Edith Wharton, Virginia Woolf, Doris Lessing, Zimbabwe, Margaret Atwood, Sylvia Plath) | | 38. | The tyranny of coherence (Doris Lessing, Zimbabwe) | | 39. | An examination of an African postcolonial experience of language, culture, and identity: Amakhosi theatre, Ako Bulawayo, Zimbabwe | | 40. | The process of identity formation through transcendence in the modern novel (Fyodor Dostoyevsky, Mikhail Bulgakov, Russia, Nadine Gordimer, South Africa, Doris Lessing, Zimbabwe, Toni Morrison, E. M. Forster, Joseph Heller) | |
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