Keyword [American drama]
Result: 41 - 60 | Page: 3 of 4 |
| 41. | Culture, crisis, and community: Christianity in North American drama at the turn of the millennium |
| 42. | Performing victimhood in Asian American drama |
| 43. | Images of loss in Tennessee Williams's 'The Glass Menagerie', Arthur Miller's 'Death of a Salesman', Marsha Norman's ''night, Mother', and Paula Vogel's 'How I Learned to Drive' |
| 44. | American drama and the disabled family member: A family systems approach |
| 45. | Stage(d) mothers: Mother-daughter tropes in twentieth-century American drama |
| 46. | Nurturing fallacies: Constructing the maternal in twentieth-century American drama |
| 47. | The performance of race in Asian American drama |
| 48. | From repetition to reproduction: African American drama in the African American literary tradition |
| 49. | Indians in the mirror: Playing the myths of Aeneas and Cato in early American drama, 1600-1860 |
| 50. | Revision as resistance in twentieth-century American drama |
| 51. | The fragility of family: Dysfunctional dynamics in modern American drama |
| 52. | Out of adjustment: Forging masculinities at the intersection of postwar American drama and film |
| 53. | Trauma on stage: Psychoanalytic readings of contemporary American drama (Tennessee Williams, Eugene O'Neill, Paula Vogel, Margaret Edson) |
| 54. | The epic tradition in contemporary American drama: Robert Schenkkan, August Wilson, and Tony Kushner |
| 55. | Native American dance: A synergy of dance, drama and religion |
| 56. | 'Howwe gonna find my me?': Postcolonial identities in contemporary North American drama and film |
| 57. | The images of masculinity in contemporary American drama: Albee, Shepard, Mamet and Kushner (Sam Shepard, Edward Albee, David Mamet, Tony Kushner) |
| 58. | Neo -Marxist readings in American drama: Clifford Odets and Arthur Miller |
| 59. | So many limitations and trammels of historical fact: Mythmaking in the portrayal of the President in twentieth century American drama |
| 60. | 'It is leviathan': Family, feminism, and American drama |
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