Aesthetic Study Of Female Ci Poems In Song Dynasty

On ci poetry, tang poetry, the rev. Yuanqu; With music pass word, with culture, both literature and music features, is a mark of the development of music literature of song dynasty. Inside of ci poetry of the song dynasty feminine words occupies certain proportion, feminine words with male word enjoyed together create the brilliance of the history of China music literature. Emerge a batch by li qingzhao, Wu Shuji, Wei Furen and zhu shuzhen, as a representative of southern women. The music characteristics of song lyrics about problems mainly has two aspects:one is the external music word, spoke of point score; The second is the inner music, word refers to the word phonology level and oblique tones. However, due to various historical reasons, most of the music of ci poetry already but still stored, it brings to the later generations to study the relations of words and music ontology obstacles. Even so, we can still through the word music and the music of ci poetry literature as well in the historical data, repair reduction, to reveal the existence of the relationship between word and music. The ci of song dynasty, music is a kind of \"elastic sheet music\", the word \"is a\" don’t gagaku in yan music improperness method is different. Song lyrics about word problems according to the word cavity while curing, to identify a relative literatures ci-poetry is what kind of law system of the word, the known according to the word cavity while curing method, can determine the origin of poetry and prose structure. And lean on to write lyrics, is asked to word as far as possible to follow the development rule of the song ci adjust never put off till tomorrow what you can have a meet QuYin melody framework and the tonic category, fill in is only to write within the framework of the music. Therefore, music simply lyricist provide three sound:mode the tonic, tuning up, finish QuYin, points out that the typical cavity of song ci. Write lyrics not only speak level and oblique tones, but also speak four tones the collocation of Yin and Yang. Collectanea improperness does not require every word for the sound, just sound to it on the basic framework requirements, but this is not the music melody and music. Word is a cavity, the word music is independent and rely on KouChuanXinShou between music and music, sung by free embellish cavity. Word speak both, not column plate. Each style is different, as long as the shot point to, are on the rhythm..Song dynasty feminine words music is a kind of Chinese ancient music culture unique artistic variety, is a symbol of ancient Chinese music culture development milestone. It not only embodies the song dynasty feminine words the life of music creation spirit and the expressive force, reflects a philosophy of song dynasty feminine words music creation and aesthetic characteristics. And through the word of song dynasty the sensibility of art form, display the southern song dynasty women limited for infinite life spirit beyond the free boundary. At the end of the day, the song dynasty feminine words is humanization and human culture, is asking women ci with nostalgia, carrying memories... Looking for the authenticity of the spiritual home.Full text there are ten three introduction, five chapters and conclusion."Introduction" part, by the "research content", "research", "research methods", "research status". This paper argues that the scholars at home and abroad about the song lyrics, the song dynasty music more and more, from the overall research to a case study, from study to regional research, presents the tend to be more systematic research trend. On the research methods, the ancient Chinese literary circle in the majority with more traditional research methods. And literary theory scholars, will be the method of using modern theory, draw lessons from western theoretical research of Chinese classical, we can see, some theory is not suitable for China. Some scholars of western theory of ontology understanding is not thorough, made in the study a simple analogy. Words, this is an organic whole, length of different sentence patterns, utilizing its rhythm and imagery in the vernacular style of words in the music creation, from describing the undercurrent to show in the phenomenon. Words of song dynasty music score is a kind of "elastic sheet music", for the aesthetic study of song dynasty feminine words, should be combined with the internal method system, the rhythmic style, the position and mind and outer orientation, aesthetic consciousness and other humanities connotation.The first chapter "background of song dynasty and female life". Based on the development history of song dynasty society politics, economy and culture, from the "music of the song dynasty landscape" and "the female social role of the song dynasty" paper expounds two aspects;The second chapter, "the song words" music and women poets. This word music development process and characteristics of the song dynasty, song dynasty feminine words rhyme way, the relationship between word and music and the consistency in the form, such as: the relationship between law and the rule of word, four tones relation with pentatonic, eight disease and into the music, the relationship between QingZhuo, the relationship between weight and into the music, the words of the law and the versification relations, etc. Ed in the song dynasty famous poetess Ii qingzhao women le case analysis;The third chapter "image" in the song dynasty feminine words le. Will happy men in the song dynasty, song dynasty women word word transverse comparison, discusses the female images in the song dynasty feminine words ", "to be able to see, the song dynasty feminine words, its creation is often by women’s unique perspective is exquisite, inside collect, the emotional experience of the self and the natural scenery, clever apt, explores the meaning of existence in the thinking of life, to reach the state of the mind. These women words most of the image of music performance is their own, can be clearly read poetess life of laughter, sigh, and call charges. It can be said that the song dynasty feminine words is a microcosm of the poetess life, understanding of life, explained the connotation and the trajectory of life;The fourth chapter "the aesthetic characteristics of song dynasty feminine words". From the life, the reality of life, the source of art, as the author of the art aesthetic soul realistic art, to art, as art text being form to art as a recipient of the art of aesthetic spiritual realization of four elaborates the aesthetic practice in rheological link;The fifth chapter "the aesthetic pursuit of song dynasty feminine words". By the spirit of "beauty", "image of beauty", "music beauty" three points as above. In the song dynasty feminine words le, conveys all thoughts, all compassion, all love, all exhort..., the aesthetic appeal of refraction of the song dynasty women poets and reflects the aesthetic psychology of the female poets and song dynasty embodies the southern song dynasty women’s free spirit. It mainly displays in:one is the value of concern for human life. The second is the pursuit of lofty realm of life.3 it is value of mind training."Conclusion" part of the song dynasty feminine words presented by the aesthetic realm is a fantastic consciousness of life aesthetics, is the inner temperament (rhyme) within the realm of ci. It through the work of specific image connotation, brave, and term of the aesthetic categories of vivid, delicate aesthetic tasting, protruding. Among them, the "people" and "true feelings" advocacy, build the unique aesthetics in the song dynasty feminine words le. Such life aesthetic purport to present the national aesthetic harmony, experiencing the naivete of is important ancestor of Chinese life aesthetics. The part of speech of the pursuit of survival and life beyond reality unifies tension character, focus for the tangle of life art. beauty really into the life practice, become the most warm persistent is the most extensive high kuang way of...