Traditional Chinese Drama Naore Research

Renao—during one thousand years, is the intuitive feeling ofChinese traditional drama art. If you cannot use words to preciselydescribe a wonderful play, so you would say it is "Renao", which seemsenough to let people understand. This word is the simplest but oftenused, which covers the profound meaning conveyed by the traditionaldrama and even many traditional folk activities."Renao" actuallyequals to "Naore". The character of "Naore" is the essential attribute ofChinese traditional drama. Carrying on the research to this problem isnot only necessary, but is more likely to close to and reveal the essenceof Chinese traditional drama. This article from the departure of theconnotation of Chinese traditional drama and the redefinition ofstaging the history of the Chinese traditional drama, main body isdivided into six chapters, which mainly solves the three problems: thefirst is the relationship between the character of "Naore" and the historyof Chinese drama. The second is the relationship between thecharacter of "Naore" and Chinese drama for ontology. The third is thecharacter of "Naore" about the drama of the East Asia. The first twopoints are based on Chinese traditional drama, from the chapter1tochapter5. And the third one is the chapter6, from the angle ofComparative drama, which makes a further analysis about thecharacter of "Naore" of the traditional drama in Japan, South Koreaand Vietnam of Chinese culture circle in the East Asia.The character of "Naore" and the history of Chinese drama. Thedevelopment of the "Naore" character is unified with the Chinesedrama history. The character of "Naore" not only appears with theoccurrence of traditional drama and has changed with itsdevelopment and growth maturely. The character of "Naore" is theinternal driving force to promote Chinese traditional drama to develop. With this role, Chinese traditional drama has experienced threeperiods—primitive religious stage, folk performing arts stage and dramaart stage. In this way, it has completed the two transformations ofentertainment and art, presenting the three forms with a sequentialdevelopment, dialectical unity—the original "Naore" character, the folk"Naore" character and the drama "Naore" character.The relationship between the character of "Naore" and Chinesedrama for ontology."Naore" character of Chinese traditional dramahas universal characteristics, which is presented not only through thetraditional drama in various forms and much of the play with "Nao" word,but also exists in many other aspects like rituals, folk, holiday, text, stageperformance, communication with audience and actor, dramaaesthetic. In brief, Chinese drama for ontology and the character of"Naore" are unified.The character of "Naore" about the drama of the East Asia. Theculture in East Asia countries is "cognate with different flow","the sametree with different flowers", whose drama form East Asian drama circle.Due to the influence of the Chinese traditional drama, the character of"Naore" is also the main character of the East Asian drama, but withdifferent characteristics. The character of "Naore" in Japanese drama is"retreat to the second", only saving in a corner. The character of "Naore"in South Korean drama is the hybrid of original and folk customs, formingthe unique folk "Naore" character. The character of "Naore" inVietnamese drama has folk characteristics.Traditional drama and the character of "Naore" are results fromChinese traditional life, revealing Chinese traditional dramacharacteristics, mapping out the connotation of the traditional folkculture. In this paper, comprehensive study of traditional drama servesthe filler significance. Secondly, form the angles of drama history,literature history, culture history, this article provides new insights of research and exploration by virtue of disciplinary theories such asfolklore, literature, drama, intangible cultural heritage and so on, inorder to open a new field of vision toward a cultural study of traditionaldrama. So it also has very important academic value and significance.In addition, in this paper, many objects of study have become or arebecoming projects protected by intangible cultural heritage, so it haspractical significance to study. In the epilogue part, on the basis ofstudy in full text, I put forward the Art of "Return" Rule. This is anexploratory discovery for the law of art, so it has a certain theoreticalvalue.This article has discussed in two clues—"a vertical and ahorizontal"—Chinese drama history and Chinese drama ontologyon,and then "walk" a ride again in East Asian drama circle to explore thefull range of the "Naore" character in Chinese traditional drama.Conclusion is drawn: the character of "Naore" is the essential attribute ofChinese traditional drama.