On The Construction Of Epic Ideology In Modern Chinese Literature

The phylogeny of Chinese modern literature was described and analyzed in a view of epic ideology construction in the dissertation.Firstly, the research worthiness of the comparison of Chinese-western literary types was analyzed in the introduction; the far-reaching literary significance of the literary types' transform on the development of Chinese literature was demonstrated briefly here. Meanwhile, the western narrative literature tradition was regarded to make a great effect on Chinese modem- contemporary narrative literature, especially the epic tradition in it.Based on this foundation, the type characteristic of epic was described and determined here, thus the so-called epic ideology in this article is referred to be: making the special productive seriousness as the basic standpoint, regarding integrity and objectivity as the basic law, considering what can recurrence a certain whole thing to be the aesthetic ideality as the productive ideology. Finally, the main research visual angle was illuminated in the introduction. That is to depict the effect of western epic ideology on the Chinese contemporary narrative literature, analyze the selection, absorption and transition of Chinese modern literary experts on this kind of epic ideology.In the text part, it is separated into three chapters according to current fashionable modern literary phylogeny frame. The first, second and third ten-year epic ideology construction of the new literature was described and analyzed. In order to write it as a style, the whole construction circs of the newly literature in different epic ideology was briefly introduced at the beginning of each chapter in the manner of quotation. Therefore, it provided a large background for the relative analysis.In chapter one section one, the constructive activity of literary theory for literature seminar was discussed. One of the tenets of literature constructive activity is to establish a new-style productive seriousness. We indicated in the internal ofresearch seminar, the literary experts represented by Mao Dun who dedicated to build the productive seriousness, which take objectivism and intellectualism as the core. While the literary experts represented by Zhou Zuoren and Zheng Zhenyi, who dedicated to establish productive seriousness, regarded humanitarianism as the core.In second section, we involved in "problematic novel" to analyze the narrative literature productions' achievements in echoing and exposing the new-type of productive seriousness during this term. It is believed that problematic novel demonstrated a new concept on novel, and established primarily a new quiz principle and quiz self-determination, which has a significant influence on the development of Chinese contemporary literature.In the third section, we focus on the discussion of novel production of Lu Xun, it is pointed out that Lu Xun inaugurated the epic creative system as "nationality secret history", he opened out the negative force of civil pertinacity through depreciating the narrative functionality of "historical time", which illustrated the necessity and toughness to rebuild the civil nature, it incarnated the deep cultural thoughtfulness and social criticism of Lu Xun.In the second chapter section one, we focus on the discussion of the constructive activity of revolutionary literary theory. Under present historical condition, firstly, we describe and judge simply on the constructive route of the revolutionary epic ideology. The revolutionary epic ideology is determined as: the political practice logos, which was continuously developing in the enterprise of proletarian revolution and construct was recounted as the authoritative name of historical objectivity through a special cultural code type. We think in this article that the revolutionary literature epic ideology, on one side expanded largely the literary political functionality, on the other hand regarded the procedure of the literary production as the procedure of historic integrality to a large extent, which deducted some pre-experience. Therefore, there existed much treacherous tendency which betrayed art rules in revolutionary literary epic ideology.Then, the staggered characters were described and analyzed for the revolutionaryepic ideology. In section two, through the analysis of the productions of {Howling Land)) by Jiang Guangci, (Water)) by Ding Ling and