Thangka Aesthetic Implication And Techniques Of Materials Research

In Tibetan Buddhism, the main art form of painting--thang khatechniques and materials for the main study, but also essential to involve the art form and aesthetic subjects. "Curator" is unique to Tibetan Buddhism painting form, the style in detailed, though, attractive, rich in features, demonstrate the art of ideas and materials for superb painting cleverest. Because of a large number of materials used in painting gold, silver and precious stones, as well as many natural plant pigments and natural mineral pigments, such as pictures of the new images has never, never not changing colour of the material advantages. As Tibetan Buddhism has been a "thang kha" of the most important performance China, limited and the images in the form of art materials, techniques are adhered to the strict Normative, and to a certain extent, restrained the images in the style and form of innovation can power, but also makes traditional performance practices to survive, many details in images, More delicate in the field has gradually lost ancient techniques, materials advantages in the images, Has been preserved in memory.It is divided into nine chapters. Chapter I briefly describes the origins and manifestations of the development process. Chapter II describes the types of objects. Chapter III analyses the major art forms and manifestations in the style and schools may accept the formation process of external influence, and existing owners of Tibet to 1905-1998. Andrews and the entire Tibetan Buddhist art in the historical development process, continuously next from the Central Plains to the Han nationality, the western, central Asia, India, Kashmir, Nepal, and so on areas of Buddhist art styles, but after multiple convergence, integration, Show the independence of Tibet is a unique landscape, which is thought-provoking. Chapter IV of the stories from pictures, design, colours and so on analysis of the images feature, and key specifically thang kha most commonly used types of painting in several major art forms and materials and techniques applications successes. Chapter V focused on the images of the main painting site and the materials. Chapter VI of the main techniques used to introduce objects types. Adopted under Chapter VII images of the production process and demonstrate their art form unique style. VIII introduced in the form of images needed features. Chapter IX of the future images and objects research trends and manifestations of contemporary art of the possible impact of vision.