Chinese Movie "New Wave Tide"

Chinese movies consist of three major parts: Hong Kong, Taiwan and the mainland movies. National cultural tradition and oriental esthetic style are cultural soul and root of Chinese national movies. Since the end of 70's in 20 centuries, Hong Kong, Taiwan and mainland initiated a movement called new movie successively, which had a far-reaching influence on the development of three grounds of modem movies and revealed the evolution of technical level, artistic pursuit and esthetic style. The thesis takes author's idea evolution and movie language experiment as to mainly study a contents, with text originally the individual case read a solution for logic point of departure, carried on integration a research to cross-straits three grounds of new movie in the big China culture the compound cross of the visual field. The foundation permeated mutually at analysis three grounds of new movies and influenced mutually up put forward: Chinese movies have experienced a series of changes from concepts to languages in late 20th century. The intrinsic agent for this change is similar and different movie cultural ecology.The thesis is totally divided into six parts. Preface's research to Chinese movie "new wave tide" present condition carries on combing with commentary, first from cross-cultural comparison the visual field inquiry into 80' s in last century a cross-straits three grounds of "new wave tide" to carry on the possibility which integrates a research, immediately after with the art experience and cultural influence of Chinese movie "new wave tide"of the angle of view investigation of the globalization, the dint diagram examines its historiography to be worth in"world art film" sit the mark and the culture position, then leading a derivation topic a research at that moment meaning and historiography meaning.Chapter 1 looks back Chinese movie "new wave tide" evolution and fall, displaying Chinese "new wave tide" firstly to show grand innovation achievement, subsequently investigating and recounting the esthetics of technique of expression vanguard to pursue to give argument in the movie language to three grounds of movie persons. With the author talk about to analyze with text originally for study a method, with director case study for main contents.Chapter2 comes together three grounds of cross-straits lately cinematic representatives to direct, induces experiment innovation and influence of their work, wholes up pay attention to them in the national movie development and the modem the evolution of historical contribution.Chapter 3 putting forward Chinese movie "new wave tide", grow and falling tide is the result that many complicated factors cooperate, it moves because in addition to origin in three grounds of respectively different and politically, economic, the outside of the cultural ecosystem, creations topic idea of the change, the audience appreciates beauty the drift of interesting aspect, the development of movie science and technology means is also an important factor.Chapter 4 learns from the culture and historiography meaning tally up this new wave tide art achievement and the esthetic contribution of sport up, and extend visual field further, track three grounds of developments of new generation movies.Chapter5remits to flow to fix attention on from three grounds of esthetics comparisons of "new movie" and ages of cross-straits, the point pays attention to three grounds of ages of "new movie" to remit to flow meaning, thriving prospect three grounds of cultures of "new movie" to integrate foreground, take expecting as new century national movie of developing and exploring exit.This conclusion: the revitalization of the national strategy is to uphold national culture film "root", listen to the advanced experience of foreign films, and the nation's outstanding cultural traditions with a modem sense of integrated traditional art and contemporary advanced scientific and technological means to combine film, create both the performance of national spirit and the pursuit of human well as new forms of avant-garde with Chinese new movie cultural brand.