The Aesthetic Cultural Research On China's Children Teleplay

A complete research is given to the historical development, the style of artand the aesthetic pursuit of Children's teleplay and also its status quo and futuredevelopment adopting the method of aesthetic cultural visual angle under theguidance of dialectical materialism and historical materialism with Children'steleplay reverted to concrete historical and cultural context to comprehend itsdevelopment and renewal.The part of introduction discusses the influence of Children's teleplay onChinese children .TV should raise Children's spiritual world with aestheticidiosyncrasy and truth-perfection-beauty-combined cultural connotation ofexcellent TV art productions. It is also pointed out in this part that the status quowhich is the status of Children's teleplay in Chinese TV art world and make aconsumption and analysis.In Chapter One of the text, the five stages of Chinese Children's teleplaydevelopment are carded and generalized according to historical materials, andthey are elementary period, lag phase, anabiosis period, growth period anddeveloping and ascending period. the cultural characters are generalized with thefollowing three parts: Political awareness, life awareness and childish awareness.In Chapter Two of the text, research is made about genres of Children'steleplay, the genre characteristics of fairy tale teleplay, enfant science fictionteleplay, children's life teleplay and character biography teleplay are respectivelysummarized and deeply analyze.In Chapter Three of the text, some conception has been abstracted from chinachild's teleplay including: children's taste, idolum taste, poetry taste as well aswisdom taste so as to develop Children's teleplay's knowledge models, explainingChildren's aesthetic imagination and fancy of teleplay art, edify Children'saesthetic sentiment and sublime Children's aesthetic ambit and seek a kind of aesthetic conception of Children's teleplay abounded with poetry and nationalodour.In Chapter Four of the text, active and passive influences which the bigbackground of TV industry development may bring to children teleplay arediscussed. The problem is pointed out that there are few excellent childrenteleplay productions in comparison to its increasing amount. The reason is that theformalizing inclination in children teleplay production, inclination of thinkingmore of reality and less of fancy as well as lack of good originators lead to theactuality of lack of excellent children's teleplay.It is considered in the remaining part that Chinese children teleplay shouldtry its best to pursue Children's standard and approach close to children's heartand in the meantime to broaden children's teleplay's aesthetic space through thecreation of TV art skills and means, use various experiences for reference andperform an active amalgamation while basing ourselves upon our nationaltraditional culture and never forget to hold aesthetic modes as the baseline whileseeking the development of cultural industry and create the prosperities.