The Study Of The White-haired Lady's Dissemination

This dissertation has studied the communication phenomenon of "the White-Haired Lady" and revealed the complex connotation of its communication effect of the selective receipt, acceptance and understanding through attempts to study in the relationship among the communication environment, the communicators, the communication form, the communication media and the audiences. To be specific, it returns to the historical scene as far as possible, breaks the limitation of the traditional politicization research pattern, from the perspectives of literary production and literary dissemination, presents the production, the reorganization and the revision course of the different genres of "the White-Haired Lady"--- opera, movie, ballet ---and tracks its dissemination path in the different time intervals (the 1940s, 1950s, 1960s and 1970s), the different space (the liberated area, the mainland China, Japan, Western Europe), inquires into the reason why the authoritative party newspaper (mainly People's Daily) followed up to report promptly, analyzes its process of canonization to uncover the complex connotation of evolvement of Chinese literature and art policy.In the research techniques, this dissertation mainly uses interdiscipline research techniques of the literature research and the communication study. It tracks the unceasingly marginalized and emerging dissemination elements of "the White-Haired Lady" thus to inquire the interactive relations of literature production and literature dissemination among different versions, genres of "the White-Haired Lady".This dissertation mainly focuses on the production and dissemination paths of "the White-Haired Lady" produces and, before it"the history", combined with the literature materials related with"the white-haired girl"in ancient times in our country to study the extension and the connotation of the old story "the White-Haired Fairy Lady" prevalent in 1930s in North China, which mainly involves the failing factors of all sorts of creations before the official birth of the opera "the White-Haired Lady". I believes that the production and dissemination values of "The White-Haired Lady" in the 1940s is to realize the political power authority and the validity in liberated area. In the 1950s, the domestic and abroad production and dissemination values of "The White-Haired Lady" in the forms of movie, opera and ballet are to reach the double objects,"to summon internally the populace to get involved in the new society construction with great enthusiasm"and"strives externally to accept validity of the new political power. In the 1960s and 1970s, the production and dissemination value of the ballet "White-Haired Lady" lies in building a "cultural revolution" myth. The academic research in the "White-Haired Lady" is mainly from the trajectories of historical development to explore the evolving enlightenment during the dissemination process.This dissertation's research in the production and dissemination of "the White-Haired Lady" is mainly to achieve the following three intentions: first, sort out as much as possible the true path of production and dissemination of "White-Haired Lady"; the other is to alert the power of the media. In particular, after 1978, the contexts of the habits of cultural consumerism and the global "cultural imperialism", forbid us to have to consider right now that "White-Haired Lady" as the "Red Classics", when it continues to spread in the community should find a precise coordinate point in the social system, and with this the basis of coordinate to find one way of harmonious coexistence between cosmopolitanism and nationalism, globalization and localization, Western culture and Chinese culture. The third is a re-understanding of the richness of human nature. "White-Haired Lady", this kind of "Red Classics", while spreading at any age, it all contains a kind of idealism and heroism closely linked to history and culture at that time. And just this idealism and heroism connected with the sincerity and youth in "White-Haired Lady," make people like us without Utopian dreams living in the 21st century, this secular age, materialized age and entertainment era, suddenly aware of social, ethnic and national responsibility in reading "White-Haired Lady".