Influnce Of New Period Literary Trends On Movie

This paper basically studies the influnce on movie by new period literary trends. Literature ideological trend connect inseparably with Cinema in new period. The supersession of Literature Ideological trend will result in the change of Cinema creation, and there is a sharp-cut relationship between them. As the common tendencies of ideology and creation, Literature Ideological trend affected more or less different forms of various arts. Cinema, as a certain art, connect so closely with Literature that it is affected deeply by Literature Ideological trend. Cinematics, after the'Cultural Revolution', suffered seriously, which require urgently it to develop itself by the force of Literature. The flourishing development of Literature Ideological trend in new period not only promote the recovery of Literature creation, but also upgrade literature to the height of the mainstream ideology and social reality and establish a center status of Literature. At the same time, many outstanding literary works also cause a strong reaction, which provide for the development of cinema. Cinema refer to and absorb the spirit kernel of Literature Ideological trend in certain historical period, and echo it through selecting theme, characterization, aesthetic style etc, as well as adapt directly famous literature worksWhen the Literature Ideological trend changes along with the period, Cinematics adapt to the changes in literary thoughts in creative ideas. Thus, the role of Literature Ideological trend of the cinema can not be ignored. This paper attempts to capture the whole development in the new period cinema through the important historical perspective of the Literature Ideological trend. It explores the different effects of various kinds of the Literature Ideological trends to cinema, seek thoroughly out the common ground in ideas and artistic pursuit between them, clarify the evolution law of Cinematics, and capture the whole relationship between Literature and Cinema from the perspective of the Literature Ideological trend.This study plays a practical role to the trend of the development of the new period Literature and Cinema.The'Introduction'section, according to recent research actuality, put forward mostly the research way, clarify simply the corresponding relationship between the Literature and Cinema in the new era. The text is divided into four chapters, and it, respectively, research the vicissitude of the relationship between the Literature and Cinema in the new era from four stages, which contains Return to Real Literature, Root Literature, New Realism Literature, and the Bottom Writing Thoughts.The first Chapter, based on Returning to Realism composing, analyse the main affection, which is caused by multiple Literature Ideological trends in new era. It is mainly contemplate the development of film-making from the perspective of wounds, reflection and reform, which have strong concerns about the present reality of realism and the Consciously artistic pursuit to humanism and humanity. This chapter focuses on analysis of the implementation and embodiment of these two features in the film-making,and explores,from both sides, the affection of the dominant position of literature in this period in the film-making.It use close reading method to explore the impact way of films in this period on the literature adaptation. It mainly by adapting the novel for the screen approximately to emphasize the leading role of literature on subject selecting, thoughts and feelings, shooting technics of films, and so on. At the same time, it's a controversial access from the perspective of Xie Jin Model to point out the New Period Film over-reliance on literature directly related to the Xie Jin Model. The overall characteristic of films in this period is the highly regarded literature value and the good stories.Chapter II explores the affection, which can not be ignored, of Root Literature in the trend of film-making in new era. And the combination, of the traditional culture reflection form Root Literature and the discussion about 'Nationalization of Movies'from film theorists, promote together the refulgence of film in new era. It reveals that it is a positive interaction period on Literature and Film, when Literature provides high-quality female parent for film while the refulgence of film advances the popular of Root Literature. It also analyzes, in film-making,the different performance and changes of the various value, which is caused by Roots of literature on traditional culture'to quit' and'continued root'.The paper optimizes the different expressions of the actual life from the fifth generation directors, the sixth generation directors, and the last five generational directors. It further clears the development trend of the realistic creational tradition during the films. It also demonstrates that the literatures are relegated to the sidelines gradually by the shock of marketization, and the influence of literature trends on films was gradually declined. At the same time, it discusses the achievements and breakthrough by further exploring the own characteristic of the film arts.Chapter III discusses the affection of New Realism Literature on Film. It mainly investigate in two aspects:the different expressions on the fine portrait of real living state in the works of several generation directors,and the common growth perspectives of personal creative writings and works of the Sixth Generation directors',and then the transformation of the sixth generation director's own. It also demonstrates that the literature is gradually marginalized under the impact of the market tide, and that the affection of Literature Ideological trend on film is gradually weak. At the same time, It discussed its own features in-depth film arts base to explore the breakthrough.The personalization written emphasis on the individual formative experience, and the sixth generation director kept exploring on it by means of films. This part mainly include:the significance presented by making the Great Proletarian Cultural Revolution as the historical context during the films crated by the sixth generation director. It also includes that the sixth generation directors began to recognize the return and recognition of domestic system after they had a collective transition through analyzing own formative experience and transition. During the creation, it interpreted repeatedly to the growing-up theme and transition of the sixth generation directors themselves.During the first stage, the novels and movies of Wang Shuo are as the background. In his works, the elite consciousness weakened sharply which corresponded that the status of intellectuals were declining and marginalized. The literatures and movies during this period began to concern the group neglected by the mainstream ideology and finally realized the decrease of literature viewpoint since the new period. During the second stage, the joys and sorrows of the common people during their life were truly recorded and documented in the new realistic novel. The authors with strong civilian consciousness paid close attention to the ordinary people. It presented that the status of literature was relegated to the sidelines since the new period, and also predict the lost of Humanistic Spirit.The relationship between the changes in them can be divided into three phases:Wang Shuo's novels and films emphasize particularly on figure of the general real-life characters; displays on ordinary emotions of life affected by New Realism Literature;Since the new century, literary perspectives further down; concerns and notes of underlying population's living condition are full of deep humanistic. It,then, in-depth analyses the similar creative tendencies between the literature and film, and elaborate the development from a civilian perspective to attention on subalternThis paper attempts to grasp the development process of New Period Film Art macroscopically from the literature trend of angel. It objects to clear and integrate the relationship between Chinese contemporary literatures trend and films, and to analyze the relationship and position evolution between 1930s New Period literatures and films. It discussions the correspondence degree of artistic creation pursuit between them and the adaption manner emphatically. It outlines the evolution path of literature trend in the film from the representative work own, and objects to provide a practical reference for the development of New Century Film and literatures.