The Cultural Inner Integration From The Folk To The Mainstream About Historical And Cultural Metaphor In Legend Of Love

This thesis brings something like a theory into the Legend of Love study, from the perspective of modern aesthetic perspective, Legend of Love in historical and cultural metaphor has been pointed to its orientation in the philosophy of a sense of anxiety, In its generation, development and rheological processes, it was closely associated with the farming civilization, showing a model of China's unique narrative of love and was not ended in a complete tragedy. It is an idealized love in the aesthetic point. It also reflects the Chinese national positive and uplifting spirit when facing a suffering. This historical and cultural metaphor spiritual core dispersed the Legend of Love in the Chinese unique farming culture, and affected both folk and mainstream culture and art. Therefore, it has played an important role in affecting the cultural psychology and life experience. This thesis consists of four chapters.The first chapter of the Pre-Qin period Legend of Love, the myth of sin milk analysis and research a total of two parts. First part of the pre-Qin period Legend of Love recorded in the relevant literature analysis:China's agricultural civilization and farming men and women to weave as a template, our ancestors were living picture of the earth projection of the stars in the sky. The shape of stars, such a physical image, in the hearts of our ancestors into cows in the Weaving Maiden, and then outside into a cultural works. Cows, the Weaving Maiden, Heaven Man and so on of the story structure has been formed the basis of the story. at this time. In the second chapter, we use the theory of the collective unconscious as the worship of the stars of Legend of Love in analysis:Since the cows Vega named later, as a prototype in the collective unconscious of accumulated. As a reflection of the collective unconscious the story of legend of love, which gather from the energy of human culture since ancient times. The accumulation of such art hidden for generations, a prototype model of the unconscious in the psychology of the Chinese nation, reflected in the works of the artists do not consciously creating. Thousands of cattle female stories to create and to create, thanks to the collective unconscious archetypal, namely the form appeared.In the second chapter from Han to southern-northern dynasty, Legend of Love story of narrative establishment are analyzed and studied, founding the establishment of its three narrative main reasons from Han dynasty to Southern and Northern Dynasties,cultural context, literature, myths and legends of grafting, Chinese folk catalytic. This chapter is divided into four parts. The first part, analysts believe that the Han to the Northern and Southern Cultural Context of the Han Dynasty, Heaven induction theory and the natural universe, the Han to the Southern and Northern Dynasties that the Confucian, Taoist and Buddhist cultural patterns of the three pillars of the Han to the Southern and Northern Dynasties door first marriage constitutes a Legend of Love story narrative to establish one of the possibilities; The second part, analysts believe that literature, myths and legends of the graft constitutes a Legend of Love story narrative to establish the possibility of the two; Third part of the analysis of catalytic Tanabata customs constitutes a Legend of Love story narrative to establish the possibility of the three; The fourth part to make a comprehensive analysis of:pre-Qin period even if no story appears, but the days of the Han, cows, Weaver three story elements of the story for future female cattle forming the foundation. Cows, Weaver's name from the date marked the beginning of the planted in agriculture and culture through the genes, for the later story of cows female male farming women weave set the tone, in the things heart and the structure of It underlines the fact that the physical fact that the transition to the humanities. In the blend of myths, legends, literature and other means, the use of politics, folklore, ideas and other areas of catalysis, the ultimate fullness of the story, and established its narrative.In the third Chapter, analyzing and researching Legend of Love on the initiative of Chinese culture, deep impact and it is divided into five parts. In the first part, through the Inheritance and Evolution of Tanabata, we are to describe Legend of Love on Tanabata customs implications. With the change of social and cultural context, the form of the story changed, and it was to render the plot of love, separation and reunions. Reunions is a kind of solace sorrow. Both men and women interaction problems facing society, social problems encountered in Confucianism which is a big problem, but people would find an opportunity for men and women to adjust relationships. This is the reason that the Tanabata festival custom becomes the main festival and the inner force of the spirit.The second part analyzes of the theme of the folk art from the mythical concept, modeling and artistic creation to clarify the interaction between the two. We pay more attention to modeling of folk arts of the story, and the richness of the modelling of imagination benefited from mythology. Myth exists in the structural units of primitive unconscious mental images or prototype, and it is not as a prototype of genetic information carrier with language symbol as the cultural information carrier forms. In human emotional experience, reconstruct plays an irreplaceable role. This is a kind of social heredity.The third part analyses Legend of Love from the perspective of from the "Motif" point of view, and pointed out that since the Tang dynasty onwards, with the "two brothers, white woman story fusion, re-generate a new motif. In this motif, the hero being honest, industrious, and heroine having textile skills, they married in small-scale peasant economy. The men also loved each other, although encounter difficulties, but ultimately it can meet a little comedy of the ending. Through the list in different times, spread in different parts of the different texts, draw a clear conclusion.The fourth part of the analysis that sexual gratification-helpless separation-reunion mode on the mode of Chinese literature, love, had a major impact. The two images came from heaven, and we have realized that although the final ending brings people pity, the story leads to reuniting the reunion.in the world it is another kind of modal from buddhist rebirth concept. Such life form gives the variation of love for the later mode of love literature from germination of seeds in love of literary creation as a kind of mode of existence which plays important influence.The fifth part reveals the influential motif of Legend of Love through the poetry of Tanabata theme analysis. The Tanabata festival became an important one which made poets write many poems. In these poems they depicted love between separate lovers.The fourth Chapter is based on the previous three chapters, using of modern aesthetic theory, and analyses that Legend of Love is a metaphor for the history and culture of love anxiety consciousness accumulation, rheological and externalization. The chapter has three parts.The first part analyses that Legend of Love in the transmission process to establish a wide range of non-governmental in nature, local forces will show Legend of Love a variety of content and form it demonstrated. This is a re-creation of the national collective personality, the heart and works as the repeated interaction that gave birth to a richer and more human, Legend of Love landscape Legend of Love as reflected in Love, anxiety consciousness, in spite of Bitter Love elements, but it will not lead to complete tragedy, compassion, joy of transformation makes it inevitable that the impact of later models of love towards a certain reunion the final result, while it was a symbol of depression, but in the context of Chinese culture, but he left a bright tail The second part of the analysis that Legend of Love Mode unable to fight the anxiety, they was unwilling to endure the reality on the right, but can not, as the western hero love tragedy of magnificent men and women approach to protest, then within the cultural context to find a compromise to achieve fantasy in the desire. This is the Legend of Love as well as under the influence of the Chinese love it stealth mode structure, where the hero of men and women love at first sight, and sexual gratification, is overjoyed. Clubbing mandarin duck, forced separation, is sorrowful. While modality in another life together, is a small hi. From this, Legend of Love and its influence on the pattern of love has experienced a hi to the grief, from sadness to joy the process, in this process, the comedy game with the tragic sense of anxiety on the one hand, Legend of Love generation and digestion of refraction, on the other hand we are looking for Chinese love for the tragic or comic factor provides a basis for living.At the same time, through the Legend of Love different forms of artistic expression, and different text analysis, interpretation, that any of Legend of Love re-creation of all women for the cattle love sense of anxiety heart again like a mold, mixed with the creator's own aesthetic experience shadow. Legend of Love is just a floating signifier, sliding within the meaning of is the creator of the individual unconscious. Referring to the unconscious is sliding Creators of their own individual unconscious melt in the Legend of Love in appreciation, re-build the Legend of Love significance. And the individual unconscious can not be naturally popular, as the collective unconscious of cattle female love anxiety awareness, but also to a certain extent, had made the qualitative requirementsThe third part analysis the Legend of Love historical and cultural significance of building a modern metaphor, from the aspect of Chinese culture and the artistic spirit, and fields investigation methods level, it's considered that only according to the folk heritage and acceptance level of audience, the historical and cultural metaphor and the hidden cultural philosophy, aesthetics, cultural studies factors in the Legend of Love are capable to be fully excavated. Consequently, the cultural patterns of the immediate significance can be established.