On The Esthetical Characteristics Of The Uyghur Spiritual Folk Customs

Uyghur spiritual folk-customs are the esthetical character of relatively stable spiritual folk-custom that have been formed in the long history of Uyghur community life activities. The relation between spiritual folk-customs and national esthetical character is anfractuastic, spiritual folk-custom restrict and affect the nation's esthetical character and tre production of this esthetical character. On the other hand, the esthetical character has an effect on the nation's spiritual folk-customs, and in certain conditions, it can restrict the representative forms of spiritual folk-customs, and also the development of its content. From the time since humans have had consciousness, the two categories have had the relationship of chiasma and penetration. So to enrich the folk-custom culture and the national esthetical character, we have combined these 2 categories and have studied them together.In this paper we persevere in Marxism and dialectic materialism. Based on the collected information and the results of field research, we studied the formation, development andevolution of the esthefical character of Uyghur folk customs.This paper is composed of two parts: an Introduction and Text.In the introduction , we have presented the main purpose of this research work, discussed the practical and theoretical significance of our thesis presented the current research status of this theme both nationally and internationally, and finally we mentioned the methods used in the study of this theme.In the first section of the text, we have stated the definition of spiritual folk-custom and on this basis we considered some problems related to this. Further we have demonstrated the functions and objects of spiritual folk-customs from the perspective of psychology, sociology and physiology.In the second section of the text, we have considered the folk-custom esthetical character of our ancestors, especially the epoch, where there is the worship of the manito, in which ancient culture is a mystery filled with puzzles to be charmed. The consciousness of our ancestors is their folk-custom esthetical character, "written" on mementos which were foundby later generations. The sense of the shape which our ancestors exhibit in a variety of stonewares usually have a gradual inclination to simple uses. Furthermore, the burals have represented the mental satisfaction reached by the medium of direct psychological imagination. On the other hand, the rock sketchings revealed the desires and ambitions, dreads and pursuits of the life of our ancestors.In the third section of the text, we have mainly studied the roles of belief such as: the determination mechanism on the ideal or esthetical character, the esthetical character mechanism which constitutes the most highly spiritual meaning in the work of art, the fixing and standardization of the esthetical mechanism in the prinsipal part, and the manner of holding and experimenting with the most highly ideal ambition of the esthetical character. In other words the ideas of natural beauty and the consciousness of social beauty belongs to Uyghur mythological epochs; Eshtetical character ideas in the heroic epochs represent perfection of moral character; and factors of esthetical character in manners; esthetical character essence in folk songs and folktales andesthetical character standard system have been relatively integrated.In the fourth section of the text, we are concerned with the Uyghur esthetical character atitude towards current modernization projects and economic phenomena related to national folk-custom culture. We have analyzed the essential problems such as continual development and the increasingly developing blooming esthetical character pursuits of Uyghur esthetical ideals which will bring commercial inclines to the national folk-customs of Uyghurs .In the end we have listed out the references .