National Musical Instrument Reform The Chronicle Of Putting

100years is only a short period of time in the history of the development of the musical culture of the Chinese nation, but for the reform of the national musical instrument, it is the era of the period of change the world. In the background of "Chinese people have stood up", this top-down reform from the government to the private sector, from policy to academic and from institutions to the factory, has almost involved large-scale of the groups of all the musicians. So that,all City Stage on the instrument have experienced different degrees of reform. Reference to the Western musical instruments, the instrument of reform has gradually showed the brilliant picture in the Chinese music, and deeply affected the Chinese sound on the20th century and even after that.Overview of full-text, addition to the citation, the conclusion, the text initially has divided into eight chapters, the main layout of the basic set for an event, two bases, three thoughts, and multiple directions."An event" refers to the study of the reform of the20th century folk instruments. Aspect hundred years, selecting the way of reform on Chinese folk instruments, regardless of the power of support from the state or civil, has determined it is a big event that cannot be ignored. This event was precisely in the20th century in Chinese society and the government with great changes, and thus brought the marks and characteristics of many important historical events. In the process of showing the historical facts and the Recovery of Historical Memory, as a blend of the ideal and the reality, imagination and practice, doubt and self-confidence, Imitation and Innovation, Integration and individuality, it is more appropriate to the music to change the event repository."Two Bases" refers to the specific content of this event and reform behavior, can be divided into a stage background and the specific content. The stage background is mainly distributed in the first and second chapters, showing1900-1949,1949-2000background of the characteristics of the times, the guiding ideology, the stage characteristics, the formation of an event cause, and the process of the initial description. The specific content consists of chapters Ⅲ and Ⅳ. According to the different of participants, musical instruments, habits and the application method, the Han nationality, ethnic musical instruments reform project were arranged in accordance with the four major categories of the play, pull strings, plucked and blow. Regardless of material, component, audio and columns, or the appearance, a local minor improvement produced great practical value, and became the basis for further improvement. The initial experience of music changes was born by a number of specific reform step by step. It led to reform, consolidate the footsteps, and become stable, precipitation in the instrument application, and support the meaning of the music changes."Three Thoughts" refers to explore, reflect on the reform of the national musical instrument derived from a series of events and problems. First, think about the music to change the focus of the topic, which is the fifth chapter, the study for the establishment of a national orchestra, vigorously strengthen the bass, especially the pull-stringed instrument of reform and breakthrough. Secondly, think about the impact of music to change the music industry:Chapter VI of the studies reform case the development of standards and promotion, production, dissemination, teaching effectively improve the long-term existence of our instrument due to geographical conditions, production specifications are inconsistent; Chapter VII of the studies how the reform and national instrumental music playing, creating, and to explore the results of the reform is recognized by the innovations of the new development of a new leap in play technology and track, how to provide the conditions for the development of creative and technical. Finally, think about the sound of the gradual emergence of the reform on the personality and the invention of the right to dispute."Multiple directions" refers to reforms to bring the development of traditional Chinese musical instruments for a variety of directions. The text does not specifically set up chapters, and imitate the West from all parts to meet the needs the large national orchestra. The actual requirements of the folk performances should not be ignored, so a single direction of reform is not desirable. For the music changed, it is necessary to understand the West, and it should be more focus on its own. It is necessary to the development of modern folk instruments, but also to explore the generic ancient musical instruments. We must focus on establishing standards and pay attention to the updated standards. A single direction of reform will be the destruction of folk music culture, and folk music workers in the20th century in the reform of national musical instruments, promote the intentions of their own folk music culture.Last chapter summarizes the induction of an eight-point understanding on the reform of the20th century folk instruments.Appendix III of the final set.