The Theory Of Chinese Art Works In Network Digital Survival

With the rapid development of the information technology in this era of globalization, the status of theartworks is undergoing important changes in the transition from the traditional carrier of paper, radio andtelevision to digital image. One hand, this shift stems from the need for change of traditional works of fineart for its survival, with the development of space, patterns, ideas in the background of technologicaldevelopment. On the other hand, it is made with the constant demand of upgrade in the various aspects ofcontemporary China’s political, economic, cultural, aesthetic, and dissemination. Digitized artwork ofRenaissance European in China, is the collision of ancient and modern culture and art, as well asintegration of Chinese and foreign art.The article pours attention to the new situation of the current digitized Renaissance European artworks.First, the writer take a comprehensive view of the development process, comb their transmutation patterns;second, the writer summarized its performance characteristics and survival mode, and interpret bodymorphology and connotation; Finally, the writer studies its impact and extension from the propagationbehavior, aesthetic awareness, cultural acceptance.Based on the scope of Fine Arts, the writer tries to analyze the Digitized Renaissance Europeanartworks with inter-disciplinary, multi-level research and interpret it from the dissemination perspective forits dissemination of new features, the propagation behavior; The study is taken from the aestheticperspective of its aesthetic form, aesthetic ideas aesthetic behaviour, the cultural perspective of theircultural identity, cultural production, and cultural focus. It focused on analyze the status of digitizedartworks. Meanwhile, demonstrate their impact and promote the corresponding technical solution. Thewriter expects to provide some reference and inspiration for our artworks Being Digital.