The Study Of Historical Stories Upon The Portrait Stone Of Han Dynasties

In twentieth Century twenty, Guoxue master Wang Guowei proposed to "new material" underground and ancient literature is confirmed by the double evidence law research of ancient literature and history. Accordingly, new archaeological material become an important breakthrough in the studies of literature and history. Therefore, bamboo and silk documents,image data of last century gradually unearthed(picturesque stone, brick paintings) become a new academic growth point of literature and history research. With the in-depth research, to the image of the portrait stone, brick as the representative of the data and the attention from scholars because of its obvious characteristics are vivid, and go beyond the word visual persuasion. Study on the portrait stone, brick of portrait of history and language opens up a new perspective, and provide a new perspective.From the literary and historical perspective, Han Han Dynasty images as historical documents, its literary value and significance which contains extremely rich, has attracted researchers attention of the Han Dynasty literature. But had to admit that, related research is still in its initial stage, the relevant papers occasionally appear, has yet to see a system of research results and scale. Therefore, to the Chinese portrait image as the literature material in the study of Han Dynasty or the need to seek a breakthrough.This paper is based on a meticulous reading a lot of literature, with the new archaeological material as the basis, through the comparative research and Analysis on the Chinese portrait portraits of the historical story and history story of Han Dynasty, in order to explore the historical stories in Western and Eastern Han Dynasties spread and evolution of universal law and regional characteristics, and historical story was widely accepted social subject group the basis of social ethics, moral foundation and regional group consciousness.This paper consists of the following parts:Introduction: the status and problems of Chinese portrait studyChapter 1: the existence and dissemination of the historical stories of the Han Dynasty portrait history.The second chapter: the narrative types and characteristics of ancient literature "Confucius asked"The third chapter: the characters of the relationship between the characters of the Chinese painting "Kong Zi" and the characters of the relationship between the characters and the charactersThe fourth chapter: "Kong Zi asked learning" historical stories from the perspective of the "Kong Zi" paintingThe fifth chapter: the Narrative Significance of the "modified nature of the composition elements" and the "Kong Zi asked learning" portraitThe sixth chapter: "Kong Zi asked learning" portrait "modified nature of composition elements" analysis of popular scienceThe seventh chapter: the narrative types and characteristics of ancient literature "Jing Ke Assassin" historical storiesThe eighth chapter: the characteristics of the Han Dynasty "Jing Ke Assassin" portrait compositionThe ninth chapter: the Han Dynasty "Jing Ke Assassin" beyond the masterpieces of literature historyConclusion: a comparative study of the Chinese historical stories and history of the Han Dynasty portrait of the story we found in the Han Dynasty historical story plot, characters,narrative features of regional form fields and beyond geographical development, evolution,and it presents the literature of Han Dynasty another not to be vivid and wonderful scene we know.