The Study Of The Chinese Modern Black-pottery Cultural And Ecological Development From The Perspective Of Intangible Cultural Heritage

“Heavenly Creations-Tao Yan”,which written by Song Yingxing,has a summary about pottery craft—Water, fire and clay combined would make the pottery. Pottery is a symbol of early civilization of human being, which accompanies the growth of Chinese nation. It is a product of human revolution, which promotes the rapid development of the early society whether in agriculture or spiritual culture. The emergence of pottery has epoch-making meaning for the progress of human civilization. Previous ancestors dating back at least 15000 years first changed the nature of the clay with fire, and give it life and thought according to the subjective mind, and realized the new birth of the earth "Nirvana" ! The famous American anthropologist Robert in Barbarism and civilization once wrote: "Pottery is the most suitable activity to judge the development of a nation’s cultural level."As a significant category of arts and crafts, black pottery has a rich cultural heritage. The formation of black pottery basis and history can date back to the most primitive stage of the human production and life. Pottery was not originally emerged as arts and crafts. In ancient times, our ancestors began to make pottery, mainly used as a functional appliance of daily life, to provide convenience for life and to meet the aesthetic needs of the people. Pottery with greater significance in people’s lives in primitive society, far more than the role in modern life. Pottery is an important subsistence in primitive society, pottery archaeological culture not only as a symbol of the Archaeological Culture division, but also is one of the early works of arts and crafts people. Pottery is one of the important life materials of the primitive society. Pottery can not only be used as a symbol of archaeological culture, but also one of the early works of Arts and crafts.Every country has its own way in the black pottery decoration. In pottery embryonic body surface, the formation of calendaring method with shells or pebble tools in Sichuan Ganzi Tibetan Autonomous Prefecture. Yunnan Zhongdian pottery pot is broken porcelain butter into the shape of the rules in accordance with the decoration style of the tiles, and then put these tiles inlaid into the body. By comparing the black with the white tiles, so as to achieve the decorative effect. In Dezhou,Shandong, some manufacturers used to complete hard pottery decoration expression, so me also apply to cloisonne filigree craft pottery on the surface of rich ornamentation.Modern black pottery decoration is the use of the Suileng carved and hollow-cut to complete the hollow engraved t echnology is invented by Kou Hua lin.We can find this same point from Professor Yang Yongshan "Suileng black pottery product modeling is changes the shape simple flowerpot, flower cylinder, pe n holder, vases and flower pots, and double engraved products the most unique."In August 2009, as the preface to the book “Suiling Taoyi”, which written by professor Yang Yongshan, wrote : " At the end of the 1950 s, Suiling Kou Hualin created to decorative furnishings black pottery, terrac otta and khaki colored pottery, which to carve Loudiao black pottery is the most famous, and affect many parts of the country.” As we talk about the invent process of Suiling modern black pottery double type technology, there is a detailed record in an article of Mr. Liu Jiadi. There is such a word in the text, "this kind of technology is still a secret project at that time." The reason of a technology should keep as a secret is that did not want to let others know, this sentence fully proved multiple layers of hollow technology is the invention of Suiling.The style of Sui ling black pottery is different from the culture of Long Mountain. The initial stage of it is terracotta and later by means of firewood through smoke smoked, carbon penetration, it evolved into black’s. "Be different from", "smoke smoked", "carbon penetration" words has told us undoubtedly that Sui ling black pottery and the culture of He Long Mountain is not involved. Sui ling black pottery making skills has no relationship with the culture and absolutely not subject to the influence of the culture of He Long Mountain, is not the culture of Long Mountain of German descent, also with other parts of the territory of Heilongjiang black without any "blood relationship", it is fully grown, Sui ling art fertile purely indigenous residents. In this regard, Professor Yang Yong shan in his book “The Tao on The Art "wrote, There is a conclusion between Yang Yong shan and Mr. Liu Jiadi connotative. For Mr. Liu Jiadi Suiling modern black pottery development of witness and promoters in the black pottery Sui ling review, in no doubt the tone said, the pattern carved flower production technology by Kou Hualin is self-taught, pure is the product of his simple aesthetic consciousness, In his own words, “ it is out by ’ blind Tinker’.” In Chinese culture, the Chinese ceramic art, pottery " is objectively admitted " Heilongjiang Sui ling Prefecture as one of the birthplaces of contemporary black pottery making pottery has a history of more than 100 years. "The author has arrived many areas which produced black pottery in China. Although they also have craft work, few can exceed Suiling on the aspect of engraved level. The productive techniques of Chinese modern black pottery dominated in most areas of China, it greatly influenced the formation and the use of the local pottery craft, and became the cornerstone of Chinese modern black pottery making technique. Undoubtedly, Suiling is the birthplace of Chinese modern black pottery. The germination, maturation and development of our country’s modern black pottery making technique are completed the fission of breaking their way like become a butterfly in this land, and ultimately affect the processing technology and development of modern black pottery in China.