Research On Communication Form Of Huangmei Opera

A history of Chinese opera communication is the one of development. Throughout the Huangmei opera development history, we find that the spread of Huangmei Opera in a large extent determined the direction and basic appearance of the opera. From stage communication to mass communication, the communication forms which traditional opera adapted were without exception for the Huangmei Opera,and each kind of way have reached a large of good results. According to the geographical direction and different forms in early Huangmei dissemination, the article which is based on the communication method suggests that there are four kinds of different transmission mode in the development history of Huangmei opera. Correspondingly, This article is divided into four parts.The first chapter mainly discusses the huangmei spread by waterway. The early spread of Huangmei Opera is mainly along the Yangtze River which in Hubei, Jiangxi and Anhui provinces, finally expanded to Jiangsu, Shanghai and other places. In the process, the folk songs which originated in Huangmei County became one of the most popular Chinese traditional opera in several provinces. In the progress of spread by waterway, Huangmei opera play an important role on the formation of other kinds of operas, such as "Da luo qiang xi" in eastern Hubei and "Cai cha qiang xi" in northern Jiangxi. From the geographical scope of the spread, the early spread of Huangmei confirms the view that water reachs, and opera comes.Discussed from the subjebt of stage spread, The second chapter main analyses Stage communication activities of Huangmei opera. Any communication activity requires a certain subject, which is the organization or individual to carry out the communication behavior. As group communication activities by a certain form of organization, Drama performance will transfer the mainstream value, group awareness, ethical norms and other information to the audience. It also decides the character of group and organization in the drama stage performance. Taking this into consideration, the paper place the emphasis in the evolution and development of the subject of Huangmei opera stage transmission with a diachronic perspective, such as the lantern, clan, opera troupe, business organizations and cultural institutions. Meanwhile, this part also focus on the performance activities and communication venues.The third chapter elaborates on the history and art forms of Huangmei Opera movie renowned at home and abroad, such as Tian xian pei,Niu lang zhi nv, Fu qi guan deng and Nv fu ma, which were made at the primary Stage of the New China. These classic films directly spawned the unique Chinese film type named "Huangmei Diao" which mainly spread at Hong Kong and Taiwan. From the point of view of evolution, mainland China began this film type since the founding of the People’s Republic of China thereafter in Hong Kong and Taiwan to Hong Kong and nowadays finally back to mainland China. Through the comparison in the theme of the story of the adoption, adaptation of the classical repertoire, classical Arias Sung and traditional film triage and movie creation techniques between Hong Kong and the mainland, we found the two film types have formed isomerism.The fourth chapter mainly studies on the Huangmei broadcasting form. Taking the narrow definition of broadcasting, this article divide the forms into broadcast and television. In the former part, the paper analyses the development course of the Huangmei Opera broadcast after the founding of the People’s Republic of China, which affected the generation of Huangmei music. Meanwhile, the former focuses on four kinds of communication,such as stage performances, TV plays, television documentary and TV variety shows, all involved in Huangmei Opera. Finally, the paper discuss the function and influence on the spread of Huangmei Opera through the Huangmei Opera repertoire of video conversion.