A Study On The Arts Of Wei-Jin Era And Zhuang Zi’s Thought

The art transformation and blooming in the period of Wei-Jin is a remarkable cultural phenomenon. The individual consciousness awakening is the origin, the achieve artistic life is the purport. ZhuangZi’s thought in which an important role in guiding. In this paper, the development ZhuangZi’s Thought in Han-Jin era is the main line, the main characteristics of the times and features of the art in Wei-Jin is the viewpoint, thereby rendering three-dimensional prevalent in Six Dynasties of ZhuangZi’s thought, individual consciousness awakening and art blooming,the mutual integration, human phenomena affect each other, and reveals its intrinsic association,explanate its common meaning, and then interpret the spirit of the Arts and Humanities in Wei-Jin Dynasties.On the occasion of the "Human awakening" ideology in Han-Jin period, the thought of ZhuangZi reflected on real life and independent personality analysis, as individuals gave important guidance from independent groups, but also provides the necessary basis for constructing the spiritual world. From the development of the late Han scholar from individual consciousness to "bamboo" Construction of the literati spirit world, we can see the increasingly significant status and role of ZhuangZi’s thought.. The formation and presentation of art in dependent spirit, both inside conscious literati main signs, but also an important part of the construction of their spiritual world. To view form and spirit, aesthetic view of nature-oriented concept, the realm of art about "technology into Tao," "The nature beauty", "useless useful" all clearly show the blot ZhuangZi’s thought.Throughout the transformation and development trajectory in Han-Jin Literary. Thoughts from "not for common use" literary and artistic creation and life of Taoist thought realized of ZhangHeng, MaRong and other Late-Han Dynasty scholar, to the independent of standard lifted and tour gathering lifestyle is formed by Jian’an literati, CaiYong’s music aesthetics concept of music features, the attitude towards life and the confucian Taoist humanely artistic feelings of the Ruan’s family, then the life orientation and artistic consciousness of Jikang, are all permeated with the spirit of ZhuangZi’s thought.In the process of art fashion transformation in Wei-Jin era, ZhuangZi’s thought whom gives a rich cultural connotation. Qin had the "human nature" acura transformation, Chess had rised to the Tao level, Writing art what performanted the local character and free spirit personality, and Painting art,what fully demonstrate the charm of vivid, the spirit of landscape, and the artistic mood, all the production ZhuangZi’s thought and spirit.ZhuangZi’s thought also created an unique artistic life taste. Faced with the conflict of "Emotion" and "Etiquette", Wei-Jin people mianly inheritate from ZhuangZi’s thought, so that the emotion of art of this period also with the spirit of ZhuangZi. Faced with the natural landscape, the natural beauty of ZhuangZi’s thought to be made explicit in the Wei-Jin sort of understanding, with the consciousness and the development of landscape aesthetics, and ZhuangZi’s thought was practiced, the landscape pleasing has become a common practice, thus showing the artistic mood.The spiritual of art in Wei-Jin what was implicated by ZhuangZi’s thought has deepened its meaning can be fully appeared in the mental world of scholar in Eastern Jin Dynasty, the literati spirit and life become rich and perfect from the support of art of pottery, their harsh reality in rebuilding aesthetic life, return a poetic living, and in contact with the spirit world, create a spiritual world beyond the self for generations of traditional Chinese literati, bur also played an important role on the further development and refinement for individual people.