Research Of Feminine Headwear In Song Dynasty

In Chinese history, the Song Dynasty with its superior economic cultural and artisticachievement and shine, especially the magnificent art achievement. Woman headgear as apart of the Song Dynasty art and craft, which is affected by the factors of age, have alsobeen before the Song Dynasty’s culture and national culture influence; refraction was notonly women’s own material and spiritual state, and also reflects the cultural environment andthe specific role; influence is design method, design thinking such subjective factors, butalso by the material, technology and other objective conditions. Under the action of variousforces, the Song dynasty women headdress absorbed the traditional headdress nutrients,based on the background, combining the material technological conditions at that time, inthe design of producers, women themselves and literati of the action, reflects the uniquecharm.The Song Dynasty feminine unique headgear design lies in: first, jewelry, headdress isa special part of the head, the importance of the head compared to other jewelry moreattention, and headwear culture of Song Dynasty has been mature system; secondly,women from the physical level is more delicate than male skeletal, fat content more, muscleline is softer, psychologically more women than men and submissive, emotion is moredelicate, gender different in different design features; thirdly, the Song Dynasty in Chinesehistory is a economy is relatively developed, strong cultural atmosphere, relative politicalenlightened period, the Song Dynasty feminine existence and development in. In thisspecific time, has its unique era.Design of women’s headdress is a process of development in the Song Dynasty, whichcan be divided into the early Northern Song Dynasty, in the late Northern Song Dynasty, theearly Southern Song Dynasty and the Southern Song Dynasty in the late four parts: womenin the Song Dynasty. In the early Northern Song Dynasty is the continuation of the FiveDynasties and the Sui and Tang women headdress concept and form, on this basis, alsowith the political, the economy, culture and innovation and development in the late NorthernSong Dynasty; female headdress has gradually formed a style of the times and into thebrilliant, during the period of female headdress in the large elegant, fresh and unique,replete with humour; the early Southern Song Dynasty, women’s headdress due to theimpact of war and other factors, slowed down the pace of development; in the SouthernSong Dynasty, with political stability, female ornaments to the rapid development and theemergence of significant diversion. Woman headgear in the Song Dynasty the developmentand change of the ruling class changes in policies and regulations, commercial economychange, human environment changes and objective material conditions and other factors are closely related. The role of these factors in the Song dynasty women headdressheaddress, the external shape, pattern, color, content, reflected.With the continuous development of female headdress in the Song Dynasty, the levelgradually rich, system is also more mature: to wear parts, can be divided into hair, finish,crowns, earrings and so on; with the status of women, can be divided into royalty noblesheaddress, civilian women headdress and song Ji s headwear; with the growth of femaleparagraph of view, can be divided into baby headdress, marriage women headdress, adultfemale headwear. These levels of vertical and horizontal distribution, exchange weavethree-dimensional grid a women in the Song Dynasty, not only to be showing the design,exquisite and rich, but also embodies the wisdom and hard work that design manufacturers.Design the Song Dynasty feminine tire makers will headwear raw materials combinedwith people’s various needs, design and produce a piece of beautiful women. Theheaddress of the beauty from the internal and external two aspects: from external, itembodies the characteristics of mellow and harmonious, fresh and natural, elegant,meticulous and exquisite elegant; the inner beauty is reflected in the structure, processrational beauty, inner full of charm and beauty and fun interactive communication of beauty.No matter is the external manifestation, or inherent virtue, all cannot do without its designguide. Unfortunately, the Song dynasty women headdress designing multi was thecraftsman, they in the design process to teach orally way to inherit various thinking andmethods, and therefore rarely recorded related words. In this paper, the females in the SongDynasty, unearthed artifacts and related text, images and other books informationcombination, and comprehensive investigation and the research of other scholars, and thenon the basis of the design thinking of the time inversion, summed up the characteristics ofthinking when people learn to read product research, Cheng Huai, calm the mind, both Godshaped, more thoughts thronged one’s mind. The small and large, fully inclusive andequitable.This paper starts from the female head angle, through a combination of archaeology,literature, logical reasoning, field survey and other methods to explore the source of theSong Dynasty feminine headdress, rheological and whole feature, the design aesthetic styleand design thinking, and by that time the representative female headdress of text and imageof the show the Song Dynasty, female headdress of this beautiful world in front of us.