Seventeen Years Of The People’s Republic Of China Landscape Painting Theme Of Change To The Brush-and-ink

After the founding of new China, the guidelines and policies about literature and art have been carried out since the period of Yanan, the requirement is put forward that art should service for workers, peasants and soldiers, serve for socialism, and strengthen the propaganda of art. Under the background of political thought, Chinese landscape paintings were involved in the tide of history, facing the fate to be modified. From then on, the landscape also has taken the head as the service for workers, peasants and soldiers, serving for socialist construction road and preparing the historical conditions for innovation and development of landscape painting.In the seventeen-year process of innovation on the new China landscape painting, subject matter, brush-and-ink, artistic conception have become the core of three questions, and politics is bond and soul of the core issue. Politics at first requires the artistic conception of landscape painting to show the contemporary spirit of the socialist period, starting from the concept selection conforms to the artistic conception of the subject matter, from the subject in line with the theme content and the artistic conception of exploring new form of brush-and-ink. This logical order is as follow:artistic conception, subject matter and brush-and-ink. But in this paper, our study focuses on the new change on theme and brush-and-ink, as a starting point, discussesing the realization of the process of innovation with the development of seventeen-year new China landscape paniting. As a result, this paper could provide the beneficial reference for the innovative development of contemporary Chinese landscape painting.Based on17years of the People’s Republic of China landscape painting of the "subject" and "brush-and-ink" as the core, with theoretical discussion and practical work in this period as "a foothold", to "change" of the subject and "the change of brush-and-ink" as the research object, from seventeen years of new China social politics, ideology, cultural context, investigate the cause of the change of theme, subject matter of the theory development, the practice of the change of subject of theory development, and ink brush-and-ink in the face of the change. Li Keran and Shi Lu in ink on the case study, in which around the theme of the development of the change and the ink to highlight, aims to illustrate from the subject of the implementation process of change to the brush-and-ink. Through this a series of logical relationship, to investigate the new China of landscape transformation for17years development course, landscape painting how to realize the modern transformation during this period, the government of the People’s Republic of China how to implement the political function of art, we gradually clear the new subject selection and development of the new China landscape painting development of great significance for17years, clear the time spirit of landscape painting ink and activation, clear political role to the development of landscape painting, as well as political how to guide the art can give full play to their own discipline.In short, in this article, the process of change from subject to brush-and-ink has been discussed in detail since the development of seventeen-year new China landscape paniting. What’s more, this paper also reveals many factors of the new subject and new ink during this period, which reflects the spirit of the new socialist era, parsing the whole process of the landscape painting during this period, how to complete changing to the modernism. It provides the beneficial reference for the innovation and development of modern landscape paniting.