Social And Historical Development Of Contemporary Songs And Relationship (1949-1989)

The song is a kind of human express inner feelings most direct,the most important form of expression,it is not only a true reflection of changes in the human inner world,and it is inextricably linked to social life is important to people's spiritual culture component.The emergence and development of contemporary songs in dramatic changes in Chinese social history stages of major historical events occur frequently,in different historical periods of its development has been the political,economic,cultural and other factors,and is closely related to the development of social history,vitals are connected.In this thesis,combing through the development context of contemporary music,in-depth to explore the relationship between development and social history.Generally divided into six parts.The first part,cultural Perspective Research the historical development of contemporary songs,the first song on the concept of contemporary social and cultural attributes and cultural functions one by one interpretation.Use historical dimension,in the history of contemporary music under the framework of the longitudinal analysis,and scope of this thesis for accurate and comprehensive definition.Depth study of contemporary cultural context in the large social and cultural attributes of songs and cultural functions and through history perspective horizontal,vertical,a comprehensive analysis of the emergence and development of contemporary songs and the bearer of social and cultural significance.The second part,prosperous,rich,far-reaching:songwriting ascendant period of development in the new era.This section focuses on contemporary songs from 1949 to 1956 development process,from the early days of the beginning of the great cause of national economic interest,the gradual restoration of stability in all aspects of cultural development through songs of this new perspective,a reflection of the state of social development and change.Papers respectively,from ballads,frontier songs,battle songs,movie songs four kinds of song types specifically addressed and restore the founding of the beginning of the musical development prosperity.The third part,high-pitched,worries,an atmosphere:songwriting frenzy in the political ups and downs.This section focuses on 1957-1965 years of the tortuous course of development of contemporary songs,mainly around the "Great Leap Forward" and"three" two important historical events are described.With historical facts and objective evaluation of historical events through the twists and turns along the songwriting,in-depth analysis of the development of social unrest on the songs direct and indirect effects,and thus came out of this period the history of contemporary music development and social development of the relationship.The fourth part,silence,criticism,emotional regression:songwriting footsteps during the Cultural Revolution.This section highlights Decade 1966-1976 "Cultural Revolution" period of difficult development history of contemporary music.During this period,the development of contemporary songs suffered an unprecedented persecution,through a special historical period of special musical phenomenon.Such as the Red Guards"Quotations song" "Loyalty Song","rebel song" and "Battlefield song" "Song of youth" and other operational art form born of objective description,combined with the objective law of development of musical history to make an objective evaluation,depth analysis thus special historical period songs development and social historical development closely.The fifth part,the specific narrative of contemporary songwriting recovery in twelve years between 1977-1989.After the "Cultural Revolution",the music industry achieved in the political,organizational and ideological "order out of chaos," contemporary songs ushered in a new period of development.Tendency to form lyrical songs and autonomy,creative themes and more abundant.During this period a variety of contemporary song writing genre,such as:mass songs,children's songs,ballads,pop songs,film songs,art songs,choral songs.Variety,flourishing.Part VI,historical tragedy carnival memories-the"Cultural Revolution" as an example of contemporary songs to investigate the effects of social and historical development.Through the first five parts of the system,a comprehensive analysis of narrative,the use of relevant theories and sociological theories of musicology,summarized the relationship between development and contemporary songs where the social and historical development,and describes an example from positive and negative effects of both,thus forming an accurate expression,objective evaluation.In this thesis,through specific considerations from 1949 to 1976 among those 40 years of development history of contemporary music,a lot of historical and reference data records,use of music theories and sociological theories combined to achieve cross-border research,through social history changes,through musical forms and specific musical phenomenon,identify the link between the two,which for the musical history of research and socio-cultural research has practical value and reference value,consistent with the objective laws of musical form and social law of historical development.Its significance is not limited to the music itself,but also for the field of philosophy and social sciences,and even historians study provides referential basis.