On The Rural Narrative Of Women Writer Since 1980s

Since the new period,a large number of women writers emerges from the historical surface,with their excellent writing expression to become a new force in the Chinese contemporary literary world.Among them,some women writers' native narrative frequently come into view,and made considerable achievements.Clearly,"women writers" and "native narrative" appear simultaneously in this period of Chinese literary world is not an occasion.As a surge of new creative trend with distinct group identity and positive cultural aspirations,it just provides this article a practical study port:This article will founds on the cultural context of the new period,takes the male native narrative as a reference,cuts into the native narrative from a gender perspective,investigates the presentation of poetic qualities of the connections between the"female" with the "native".At the same time,it also observes the women literature with the"native" point,while investigates the supplementary,richness and expansion of which it brings to the women literary.Thus,it involves the comprehensive survey of generated background,cultural standpoint,thematic tendency and aesthetic arts.Specific to the wording of the layout,the paper contains a total of seven chapters which can be divided into three parts of the introduction,the main body of six chapters and the conclusion:The first chapter is mainly to solve the exposition and the clarification of the reasons for the choice,the basic concepts,the research status,the research ideas or methods of related issues.The point is to develop an integrative view of the global feature and literary influence of the female native narrative since the new period from a macro perspective,and to point out its significance in dual dimensions to the local literature and the women literature,as well as to scan and sketch out the overview on the current state of the research.The second chapter explores the generation of the female native narrative.It's analyzed from three aspects of reality background,writers' motivation and literary contexts.Compared with the male writers,the most important peculiar narrative quality of the women writers is the presentation of the female local experiences and gender awareness which caused by gender difference,while the realistic situation of the "Rural China" since the new period and the spread of the western feminist theory coincidently provides a creative opportunity at this time.Whether"the Educated Youth" who take a fancy to the native because of the era,or "the Land of Women" who attach their emotions to the homeland,or "the New Generation" who view the native narrative as an aesthetic requirement,they brings the gender awareness to build"the untraditional description" of the native narrative whether inadvertently or deliberately,in order to achieve the junction and detachment with the male native narrative.Next,based on the comb of the above-mentioned "external forces",the paper will be officially entered into the "internal research" of the text.Through the detailed analysis and discussion of the five chapters which includes softening history,desire exploration,growth attention,and aesthetic artistic conception,it will summarize aesthetic connotations and poetic contributions of the female native narrative which are unique and rich with both heterogeneity,thus integrally grasps the inheritance and breakout to the traditions of the female narrative and the local narrative.The third chapter expounds the special aesthetic tune in the field of historical discourses by the women writers.In this territory,daily history and feminist position in a way to form a"resonance",and women writers concentrates on history rewriting by means of using marginal perspective and gender awareness as an effective narrative strategy and expression methods.Inside,the "Daily History" narrative aimed at getting out of the bigotry of grand historical narration by male,and displays the true existence pattern and purity of humanity in the historical scene by the means of narrating human nature in a multidimensional perspective.Meanwhile,they also are enthusiastic about the apply of affection in order to build a characteristic of gentle and tolerant,while in the pursuit of a harmonious coexistence between man and nature,so as to returning to the state of "poetic living" in the nurture of nature.The fourth chapter inspects the reconstruction and meaning on the discourses of desire of the women writers base on the sex position.Here we use the narrow concept of the "desire",which means physical desire,discussed around the body,sex,breeding and other aspects.It interprets its significance except for chiming in with the native desire creation which has been dominated by the male writers,it also in includes the narrative backwash to the position of women as the object of desire narrative for a long time which based on the sex position,showing the distinct cultural connotation and aesthetic implications in comparison with the male native narrative.The fifth chapter aims at the internal focus on the kinds of the female growth and its matters.For the rural women's growth found,the women writers narrate it fiom physical development level to spiritual maturity level,then deep into the spiritual construction level,the gist lies in uncovering the hidden theme--growth,which long been in blindness state,hidden in among native narrative.They observe and reflect the growth process and its dilemma of three kinds of which including left rural women,rural women into town and the educated youth in the countryside on female perspective,pointing out the important and basic fact that rural women have to been faced with for a long time that is '"absolute scarcity of main mirror",which due to the cultural context of rural wasteland and shackles of men-centered awareness.The sixth chapter focuses on the aesthetic characteristics of native narrative,analyzes its poetic characters,and also points out some deficiencies which exist at the same time.It can be said that,the female native narrative of the new period inherited the romantic lyric writing tradition of Rural China since the "May Fourth" New Culture Movement,and this poetic style artistic characteristics by means of the use poetic language and imagery.At the same time,even though the women writers pay tribute to the classical tradition in the literary style,but that does not prevent they take examples by the western modernist narrative techniques.Among them,it especially uses the western modernistic painting techniques for reference as a characterization,reflecting the high level of awareness of isomorphic poetry.Furthermore,its possible art defects,mainly pointing out the most universal and most representative two points,which are named"self repetition" and "logical distortion".The last chapter is the conclusion part,which places emphasis on putting forward the female native narrative in the process of the horizon of literary history on the basis of the above pandect and sub-pandect,with the purpose of pointing out insufficient and placing the great hope on the new trends and direction in the future while affirming its brilliant achievements under the context of multi-culture,as a reminder of an anticipated prospect of the female native narrative.