The Nationalization Of Animation Form:a Study On The Chinese Opera Elements Of Chinese Animation

Whether it is the point of view from the history of animation creation,or from the common artistic features of Chinese opera and animation,Chinese animation absorbing elements of Chinese opera is the historical and aesthetic choice.The process of the nationalization development of animation form is divided into four different stages:formation,maturity,expansion and low tide and has many outstanding works:two-dimensional animation such as Proud of The General,Havoc In Heaven,Three Monks;paper-cut animation such as Mr.Pig Eat Watermelon,Zhang fei Trial;puppet animation such as True and False Li Kui.Compared with the United States Disney animation,only different elements of Chinese opera has split into Chinese animation,but also has a different implant characteristics.In different forms of animation,such as paper-cut,puppet animation,the specific art forms,performance rules and aesthetic style of the opera elements is not the same.From the perspective of the composition of animation ontology,character modeling and animation performance are the basic elements of the animation formal system.If nationalization of the animation form is based on character modeling,animation performance is the core of the animation form in nationalization.Whether it is the transplant of facial masks,clothing and symbolic elements in the role of line of business,or the reference of the traditional opera's histrionic formula has the specific process of grafting,fusing and innovation in depth.While the grafting is an extension-type reference,focusing on the shape,fusing is the reference of internal and external unity,that can be described as the relationship of shape and spirit to have both,or language innovation has been learning the connotation,paying attention to similarity in spirit.And finally the characteristics of art aesthetics with spirit out of form,the beauty of the curve,be Subtle by artistically depicted to be both real and unreal of Chinese style is the different style with the animation in Japan and the United States.Based on Chinese animation ontology construction,the nationalization of animation form as the destination will actively looking for opera elements into the new form of Chinese animation and create a Chinese style that has been recognized at home and abroad,so the animation performance system will be more valuable and meaningful.Because the nationalization of the animation is nothing but empty talk,only the nationalization of the animation form can really complete the nationalization of the animation.So We must continue to absorb the national art symbol element and inherit and innovate the national aesthetic tradition is the only way to complete this task.If the specific rules of transplanting theory of the Chinese opera as the art form with national characteristics has been summarized,it has theoretical value for the nationalization development of Chinese animation and would provide useful enlightenment for the current domestic cartoon out of the difficult position.