A Study On Exhibition Space Of Art Museums In China

With the development of contemporary art,works of art in the museum display,the way the audience watched works of art have changed.The Museum of Contemporary Art is no longer just a "blooming container" or "expressionless" place of display.From the perspective of creation,the art museum exhibition space is a place where art is created and created.From the perspective of artistic development,the exhibition space of the art museum is an expression of the visual history of art history,and the place to express the history of art to the public.The layout and presentation of the exhibits in the exhibition space is in a way that the presentation of the contemporary art,the relationship between the exhibits and the audience,the way of viewing works of art,the criticism of art,and the transformation of aesthetic discourse.This paper attempts to conduct an in-depth study on the characteristics,internal logic and the presentation and arrangement of exhibition space of Chinese contemporary art museum from the perspective of "exhibition ".In this paper,the philosophical evolution of space thought into the theoretical background of the study,breaking the contemporary art museum exhibition space as a simple architectural space cognitive habit.The exhibition is a work of art,which is not a collection of exhibits,but by artist,curator,audience and exhibits co-creation,is the art of the works of art re-creation process.Similarly,the exhibits exhibited at the Museum of Contemporary Art are no longer limited to the finished product of the artist,but by the audience at the exhibition site,so the exhibition is the art scene.Again,the exhibition of contemporary works of art is no longer a linear display of exhibits,but a subversive aesthetic deployment,that is,with a local aesthetic conflict of the exhibition,to touch a wider range of social contacts in the audience create an art-aesthetic event.Therefore,the exhibition is only to cultivate the conflict required by the props scene,by the exhibition of artists,the audience of aesthetic conflict,to explore the way to guide the interpretation of new works of art and watch experience is the focus of the exhibition core.In this paper,the "contemporary art exhibition" as the starting point,the use of space theory,to learn from the new museum research methods,to study the Chinese contemporary art museum exhibition space.Around the exhibition space of different aspects,the whole text mainly around the four aspects of discussion.First,the deconstruction and reconstruction of the research ontology,through a comparative analysis with the traditional art museum,the Chinese contemporary art museum exhibition space for a new interpretation.Second,the analysis of the characteristics of the study object,this part of the paper mainly uses the spatial theory to summarize the Chinese contemporary art museum exhibition space of the characteristics and spatial significance.Third,the cognitive and experience,focusing on the analysis of Chinese contemporary art museum in the process of the use of space narrative methods and for the audience to bring the way to watch and experience changes.Fourth,the origin of remodeling,asked the nature and significance of Chinese contemporary art exhibition.Around these four aspects,this paper is divided into five parts.The first part analyzes the smooth spatial nature of the Chinese Contemporary Art Museum from the aspects of display content,spatial style,exhibition form and spatial nature.The second part,the use of Foucault's power discipline,Deleuze's ‘Rhizome' and other space theory,focusing on the Chinese contemporary art museum exhibition space "alternative heterogeneous" features.The third part analyzes the change of artwork from the perspective of spatial narration.The main contents of the fourth part of this article are: nomadic way of watching and immersive art experience.The fifth part is the core of this article,from the exhibition space to the contemporary art exhibition,around the exhibition content,exhibition form and exhibition significance and other aspects of the Chinese contemporary art exhibition to rethink.Finally,this paper argues that the exhibition space of the Museum of Contemporary Art is not just a building space in the museum,but a space relationship between architectural space,exhibits,spectators and curators.China's contemporary art museum exhibition space is not neutral,homogeneous space,but contains a certain "right to speak".In contemporary art exhibitions,viewers are no longer passive recipients of information,but direct participants and information exporters of exhibitions.The exhibition of Chinese contemporary art is not only a collection of artistic phenomena and artistic creation,but also a way of writing contemporary art history.