The Research On The Tendency Of Fauvism About Chinese Painting In The Early Twentieth Century

This thesis is set to "study" the beast Chinese oil painting tendency related to early twentieth Century as the theme, the main object of study for the practice and fusion dissemination, in twentieth Century 20 to 40s China Fauvism painting, and the local art in the early Western painting movement each other in the process of evolution and promotion. This thesis attempts to create activities and language style of study China early oil painting practice and related beast tendencies form a specific concept of expansion, to explore the Fauvism painting style in early twentieth Century is how to introduce Chinese, how to reference and practice to the approximate language characteristics and local art fusion, into a the composite performance style tendency stratification, and summed up the "writing" and ,simplicity" in the property, and eventually led to the establishment of the early performance of oil Chinese.The first chapter of the text is "painting world revolution": the "context of Fauvism, focuses on the analysis of Fauvism art as a cultural phenomenon of western paintings is from Europe and the United States extradition to the spreading process of East Asian countries. Specifically, the composite face second chapter to the fourth chapter specific analysis Chinese Fauvism and practice groups as follows: the second chapter "the main body with the fusion expressionChinese early Fauvism traditional trend", to Chinese Fauvism practice dominant and the integration of China local traditional art part of study the third chapter is "new realism; - Chinese early Fauvism created image of the Paris school and mixed performance orientation", to discuss the new realism and Paris school in practice is a kind of art style on beast. The fourth chapter of this thesis is "the expression of the spirit of unity and harmony" -- the new wild beast and the turning of the super reality in the early period of China, focusing on the practical performance of the surrealist art in the early period of china. The fifth chapter is "the east gradually and fit 'China Fauvism: local characterization and deep meaning, especially Chinese Fauvism peculiar" writing"and" analytical traits of simplicity ", to clarify its practice in local oil painting expressionism's historical position, and thus expand the re cognition of early the concept of education and follow-up.The above aspects by revealing the problems, the relevant practice and form specific analysis from the early twentieth Century Chinese Fauvism as a phenomenon of western paintings, not only is the specific localization of the emerging try painting style, but also as following, classical style and Western style of Impressionism important Chinese transplantation, and the for Chinese fusion painting second languages "Expressionism" to the important content and main outlines the basic features of the early, early China performance of oil, and give third languages "abstract" to positive enlightenment. Chinese early Fanvism art is not to look but genre painting as an art phenomenon and language and the existence of the local important early form of painting, to a large extent, it is also an important sample to observe the phenomenon of Chinese early modern art.