The Study Of The Landscape Painting Of The Landscape

Based on the study of his landscape painting,the schema of the historical background,the formation factors analysis,explore the significance of landscape painting in jianjiang.The emphasis of this paper is to analyze from the formation of jianjiang "landscape geometry schema",which is one reason he only in seventeenth Century to China painting.Has the character of forest landscape painting and the artist is,whenever the political fortunes out of control,not his students,scholars mood discomfort,landscape painting will appear in a new situation.Ming and Qing Dynasties to the change,although social unrest,painting thoughts are very active,the Xin'an School of jianjiang is to advocate a new landscape painting,he proposed the "" heaven and earth is my teacher."The thoughts of painting,painting masterpiece,become a model,a nature,in jiangnan.The authoritative critic Zhou Lianggong(1612-1672)on jianjiang painting: "Jiangnan people to Wuding elegantandvulgar,as people of Yunlin so that when the foot of Yunlin Jiang xian." In addition to the Ni Yunlin,also did not have much of an impact second.Therefore,we have to study painting and jianjiang.jianjiang learning Nizan recorded their history,also say,Yunlin."Turn to Jiabao Weng ink,look for incense division(outer verse poem).In his paintings,but different from Ni Yunlin,this is his schema ink is prominent,Jiang Ni,but is not limited to the Ni,he by imitating Ni Yunlin,the five generation of the Northern Song Dynasty,and in imitation of Mount Huangshan,revised Ni Yunlin.In conclusion,jianjiang in imitation of the tradition,is not "special Yunlin"."Gradually in wood and painting division,caused by the different products."Copy" "Jiang Melia Pavilion painting or an Xiao Yuncong effect,drawing on their performance,it has the similar performance in the rocks and trees structure with less brushwork and multi straight form,Xiao Yuncong and Jiang will change more,this painting to acme,no cunca ink is more prominent in janjiang geometric schema static feeling cold.The first from his life experience,art experience,personal habits,starting and personal circumstances,combined with the social background,art context,analysis of the text,art,artistic conception.This paper is divided into six parts,the first part is to expound the concept of schema,Zhejiang landscape painting pattern analysis.In the second part,his landscape painting formed life background,description of Zhejiang in turbulent times,changes of thought and the pen.The third part of his landscape painting style form,not only from the Ni Yunlin family,Xiao Yuncong also had an influence on the painting.By the Huizhou woodcut,influence of landform of Mount Huangshan of Zhejiang Painting Schema Evolution of geometric characteristic "".The fourth part of the schema in nature,from Mount Huangshan and Zhejiang real landscape plan analysis,nature,natural changes.The fifth part of Zhejiang spirit produce "static beauty" of landscape painting scheme.The sixth part of his landscape painting influence on the later generations type.To study the value and significance of his painting from the six aspects.