The Study Of Degree In Visual Perception Perception Of Architectural Decoration

Aesthetic perception of visual perception has long been defined as a perception of consciousness,which can be qualitative but difficult to quantify.In view of the aesthetic emotion fluctuation caused by the general form relationship in the architectural decoration,this paper puts forward the corresponding relationship between "harmonious beauty" and "pleasing peace" emotion,and quantifies and validates the turning point of this aesthetic emotion through a large number of behavior experiments and electroencephalogram experiments,so as to decorate and decorate the building.The "degree" in visual perception is sought for a clearer threshold.Its quantitative research methods and means are of great significance to the traditional study of visual perception and aesthetic perception.In the first chapter,the origin of the research,the present research situation,the theoretical summary and the main research content of the thesis are elaborated,so as to clarify the research ideas for the whole paper.In general,many fields have been involved in the research of aesthetic sense of form,but the angle of view is different,each field is array,and the relevant theories have the expression of the regularity of aesthetic experience.Some of the contents have similarity and unity.However,there are few interdisciplinary studies on cross majors,and at the same time,the aesthetic form is aesthetic.The intensive quantitative study of visual perception is almost blank.The second chapter sorts out the mechanism and principle of morphological visual perception,laying the foundation for further research.From the physiological mechanism of human visual perception,we can find that both the propagation of light and the transmission of information in the brain are essentially realized through the movement of particles.Although there are many factors affecting the aesthetic variables,they will not break through the aesthetic commonality of the human beings as a group.From the perspective of the existence and operation of the objective world in the micro and macro state,this chapter puts forward the important theoretical assumptions of visual and physical forces and the isomorphism of spirit and material: 1.The world maintains a balance and maintains a movement in the gravitational and repulsion of each other.This basic state determines not only the way of the existence of matter,but also the way of the existence of the material.2,the Fibonacci curve presented in the orbit of the universe affects emotional changes in the aesthetic perception of perceived consciousness.The golden section in the Fibonacci curve can reflect the critical point of emotional turning caused by visual perception(gold ratio is a canonical case),and proposes a perceptual perception trial.The theory of "balance force control zone" model in the United States;3.The theory of "equilibrium force control zone" model is adaptive to all forms of aesthetic perception.In the third chapter,through the four forms of relation between scale and proportion,contrast and unity,symmetry and equilibrium,rhythm and rhythm,the perception perception of the general form of architectural decoration from the way they are perceived in the architectural form,the mechanism of the isomorphic translation in the vision,and the application of three aspects in the specific case.The analysis is carried out.These forms of combination show a common relationship,such as scale,contrast,equilibrium,and rhythm are the balance in a dynamic relationship,emphasizing the change within a limited range and satisfying the demand for diversity in the visual perception,while proportion,unity,symmetry and rhythm are a transient state of rest and the extreme in dynamic balance.In fact,these dynamic changes always revolve around this static state of peripheral motion.The boundary of this "periphery" determines the aesthetic emotional turn caused by perceptual perception.The fourth chapter from the psychological level of the relationship between visual aesthetic and emotional change,the building decoration and decoration of the scale and proportion,contrast and unity,symmetry and balance,rhythm and rhythm of the four types of combination of architectural space out of the building space itself,through a concise and clear geometric figure transformation to verify the visual perception of the shape of the shape The "degree" of the aesthetic perception.The results show that in the emotional fluctuation driven by visual perception,the whole process of a group of formal relationships from one extreme gradual change to another is a linear object.The critical point of the cross threshold at both ends and between the golden points of the visual perception line has obvious characteristics of a sudden change in aesthetic emotion.Visual perception is the reliability of the theory of the "balance of power control zone" model.The fifth chapter is the further verification of the "degree" of visual perception perception of architectural decoration form through ERP technology.First of all,some corresponding descriptions of ERP technical principles and experimental methods are carried out.In order to obtain ideal experimental results,variable control experiments and behavioral test experiments have been carried out in the early stage.The focus of this chapter is to analyze the design idea,operation process and data analysis of the ERP experiment.Finally,the brain wave data is shown by SPSS variance test: the difference of the main effect between the original image and the deformable graph is extremely significant,but the difference between the two different dimensions is not significant.This shows that the "aesthetic collapse point" R+ and R-do exist at both ends of the more sensitive M0 interval of the visual perception aesthetic "balance force control zone" model theory,and the broader M interval is a relatively stable stage in the aesthetic process,breaking through the critical point of this interval,the aesthetic sentiment obviously turning,of course,the M interval.Besides,aesthetic feedback still exists,but it is no longer a state of "pleasure and peace".It is no longer what we call "harmonious beauty".The sixth chapter summarizes the basic conclusions of the "degree" of visual perception of architectural decoration,and expounds the significance of the research from two aspects of theoretical value and applied value respectively.