On The Evolvement Of Modern China Female's Classical Poetry And Ci

The modem female Chinese female old-style poetry and ci is an important part of the history of modem Chinese female literature,whose historical evolution trajectory and art change trends are closely related to female poetry creation main body-female consciousness's evolution.Therefore,in order to show 100 years of China modern female poetry flowing,it selects modern female consciousness as the core observe and control objects.By revealing the modem female consciousness changes,it shows modem women Chinese old style poetry and ci in the theme,artistic style and performance,etc.to finally highlight the hundred years'history of vicissitudes and the evolution of the female poetry trend.In the first chapter of this article,it is just the modern China female poetry of the transition period(1912-1936),due to the transformation of modern Chinese female poetry history contexts,making the transformation from traditional boudoir consciousness to modem female consciousness of modern Chinese female poetry creation subjects.The modern female consciousness' awareness made them observe outside on the one hand,writing modem national concepts in female views or observing the nature in the perspective of aesthetic disinterestedness;observe themselves on the other side,expressing modem female friendship.The modern female awakening of modern female consciousness,public space hugs of females,also make female poetry creation subjects break the limit of traditional poetry materials and develop the modern female poetry theme in the public space aspects of poetry.As for poetry changes,they bravely used modern languages into poetry,or activate the classical image of modern women in the way of "new wine in old bottles",calmly expressing female modern feelings.In the second chapter,which is the modern China female poetry ZTE period(1937-1949),due to the impact of the political reality of the Anti Japanese War,the female poetry creation subjects'consciousness of women was deepen further.They further expanded outward expressions of the female narration perspective,mainly from the perspective of Anti Japanese ideas;they also further examined their own inward,writing exile experiences,modem love experiences,or modern relationship between mothers and daughters.In the aspects of subjects,deepening the awareness of modem women are no longer satisfied with the line of sight placed in the expansion of the space on the old style poetry.They began to turn to the time field.The field,through the concept of linear time on modem wars,they wrote their own history,writing a grand narrative of modern wars and expressing the hometown "can not recover the past" and the sorrow of village life "today can no longer stay".In terms of poetry art selection,deepened modern female consciousness and clear female self identity prompted them express their own ideas,or directly performed their own independent ideas in female body images in the old style poems in high interrogative sentences.In the third chapter,which is the modem China female poetry diversion period(1949-1976),the alienation and identification of moderm feminist consciousness of mainland and overseas Chinese female poetry formed two water diversion female poetry art landscapes.Specifically,China,"Yanan experience" continuation after the founding of China prompted the of alienation of modern female consciousness.They promoted female writing to "try to match the sky high" political passion,or wrote Mulan heroine,or wrote repressed life experiences,which were reflected in the artistic style,was the political mainstream female poetry writing and featured personal writing features of female poetry.The edge of Hong Kong,Taiwan and overseas regions,relatively loose historical context,made them more highlight the modem female consciousness of identity clear senses.They wrote wandering dilemma and female life experiences and writing anxiety,or wrote discrete experiences,or wrote exotic and western cultural identities.In the fourth chapter,which is the modern Chinese female poetry of the Renaissance period(since 1977),because of the full recovery of the modem female consciousness in Chinese mainland poetry,especially in the new century which witnessed the era of network literature,there has been a great development of contemporary Chinese female poetry in the language,image,theme etc.Specifically,the full recovery process of modern female consciousness came with the female poetry creation subjects to explore from "man" to "woman' to "individual" female consciousness road.In this process,they wrote the historical reflection of modern nation-state or their writing,or wrote recall and reflection of modern love,or wrote feelings of modem female individual life experiences.This performance in terms of subject matters,is a breakthrough in the old style poetry theme limited in"Mao Zedong era" single,gradually diversified.As for the artistic features,the poetry showed the poetic language and daily classical image remodeling.In the epilogue,the "transformation" of the traditional view of modern female creative Chinese old-style poetry creation,reveals the modem China female poetry in its achievements,and "harmony"as the representative of a traditional centralized interpretation.It highlights modem female old-style poetry's creative transformation in Chinese literature traditions,along with modern Chinese novels,essays and poems,which enrich creative transformation researches in Chinese literature traditions.And this research way is also an essential path to reproduce the ancient and modem dimension of the study of modern literature.