Soil Culture Flag: Headed By Chaomei Beidahuang Prints

In the last century 50's at the end of the one hundred thousand,the military and civilian development of the Great Northern Wilderness for the development of the Great Northern Wilderness print opportunity.Led by Chao Hsin Mei of Beidahuang printmaking,with personality of the artistic language and picture thick coagulation and deep,simple and natural,not only shows that the black land and human scenery,but also reflects the reclamation in the Great Northern Wilderness the resilience of the characteristics of the times.Along with the time development,under the joint efforts of the Great Northern Wilderness first generation,second generation and third generation version of the artist,Beidahuang printmaking formed unique personality style,formed with contemporary Chinese characteristics,the national spirit of the black land and the consciousness of modern art creation plank chromatography prints.And of the Great Northern Wilderness printmaking art establishment in the black soil culture atmosphere,its artistic content and form of rich cultural charm of black soil than in Sichuan's black-and-white woodcut,Yunnan mimeograph peach wood engraving and Jiangsu watermark print richer Northeast regional spirit.So,Beidahuang printmaking is version of the painters to be full of the Kanto enthusiasm and love of the black land,coupled with the personality of printmaking language to explain the their perception of life practice showed Heilongjiang regional style.This article is to Beidahuang printmaking as the research object,of Beidahuang printmaking formation process,aesthetic characteristics,embodies the spirit of the culture,existing problems and the direction of future development are analyzed,not only in a certain extent rich theoretical research results in academic circles of contemporary printmaking art;can also provide a way to print the creators of contemporary creation and development of print era art and the problem how to maintain on.In this paper by Chao Mei led by the Great Northern Wilderness engraving research,the main research contents are as follows:First,clear the research background and significance of the Great Northern Wilderness prints;classify to print the development history,printmaking techniques and performance,the Great Northern Wilderness printmaking development and performance theory research results,which lays a theoretical foundation for the study.Second,the genre of research object of Beidahuang printmaking be defined in theory from the political background,geographical characteristics and population aggregation etc.level analysis the reasons for formation of Beidahuang printmaking,the development history of Chao Hsin Mei and North wild prints each period are analyzed and summarized.Third,study of Beidahuang printmaking art aesthetic characteristics,from the theme,prints composition and style,color,technique and image perspective of Beidahuang printmaking art style formation.Fourth,of Beidahuang printmaking natural spirit and cultural connotation,from the geographical environment,natural style of singing,ecological significance,cultural identity and the spirit of the literati to show the perspective of Beidahuang printmaking cultural atmosphere.Fifth,the study on the decline of the current situation and existing problems of the Great Northern Wilderness print,the Great Northern Wilderness print on the decline of the reasons,such as the decline of performance and so on.The sixth study future Beidahuang printmaking change development ideas and countermeasures,analysis of Beidahuang printmaking diversity change of ideas,and put forward the way for the future development of the Great Northern Wilderness prints from the lessons drawn from the art and artists cultivation level.In short,this article attempts to culture banner Beidahuang printmaking this black land as the research object,combined with Beidahuang printmaker Chao Hsin Mei,Hao Boyi,who own development experience,of Beidahuang printmaking art style analysis,course of exploring the development of Beidahuang printmaking and future development countermeasures,which to improve Beidahuang printmaking theory research,enrich the research scope of the contemporary printmaking art,guide future printmaking art creation has important guiding significance.