A Century Of Erhu Music Style And Cultural Identity Survey

Erhu's musical and cultural identity is a constantly changing identity,which is not the same in the ancient,early modern,modern and post-modern? In ancient times,traditional music types and local music styles existed?In modern times,Liu Tianhua and others began to move towards the cultural identity of music performance forms,which also included the preservation of their own cultural music style in the form of western music performances?Since the founding of new China in modern times,Liu Wenjin also borrowed western music solo form,localized western romanticism music,and integrated it into erhu music style,forming the national cultural identity of erhu music style in 1950 s and 1960 s ? After the reform and opening up,erhu music came into being with the development of four modernizations and industrialization in China,the creation of the symphonization and concerto of erhu formed the trend of large-scale folk music bands? In the 90 s to the beginning of 21 st century,learning erhu music is more popular in western,it was also transplanted western music and violinized? On the other hand,there was also acoustic cavity,the popularity of erhu,cooperating with singers,western symphony orchestras,jazz bands,and original indigenous musicians,as well as special music created by foreign composer,etc?? Countless changes and attempts promote erhu music more widely in new ideas and forms?On the face of it,it is rich and colorful,but it also faces a crisis(the problem of directionality)? With the rise of the great power in China,the innovation in the field of culture and art,how to respond to the crisis of self-identity of music culture(the crisis of traditional music inheritance,the break of traditional music style schools)? Erhu,which has been a hundred years,left too much thinking to the Chinese music industry? This paper considers the subject of Erhu's traditional music from the perspective of global multi-culture by considering the changes of Erhu music in the past hundred years and the identity of music culture? And the sustainable development of Chinese Erhu music education and music style schools?...