Lin Peifen And Ye Guangqin's Creation Comparison Theory

In today's deepening globalization process,how to take advantage of traditional culture and value in literary creation,so as to meet with the requirements of ethnic culture renovation and address issues along with the development of Chinese literature,is a major problem that cross-Strait contemporary writers pay close attention to.For Lin Peifen and Ye Guangqin,the aristocratic family from the last feudal dynasty in China gave them a similar starting point for culture and writing and became unique among contemporary writers.Influenced by Taiwan's "Rejuvenation Campaign for Chinese Culture",Lin Peifen's creative features are mainly manifested as "reorganizing the national heritage".The article fuses the historical and psychological analysis and tries hard to be history-proofed.Her work focuses on the continuation of the Chinese cultural heritage under the values and logic of modernity,try to create a life-like feeling of knowing that it cannot be done.After experiencing the storms of the political movement in mainland China,Ye Guangqin,who only began to write when she was in her middle-ages,was immersed in her seemingly ordinary life due to rich life experience and in-depth observation of society.The scene reflects deep sighs of history and excuses the narrow borders of nationalism and displays a world-wide narrative dimension.As writers from Manchu Nationality who narrate history with literature,their works mobilized family and personal memory,as well as classic literature and history materials,and creatively reconstructed them.Spiritual tradition and aesthetic character can effectively inherit the traditional Chinese literary tradition while also absorbing the beneficial experience of Western literature and culture.It also provides a better understanding of the modern inheritance of Chinese context and the modern transformation of Chinese traditional culture.The examples,but also for the present literature provides a lot of useful inspiration.This study attempts to incorporate the text of the work and its historical context and influence status into the scope of the investigation.According to the author's interview record,using the research method of all-facet comparison and text-reading,combined with the author Lin Peifen and Ye Guangqin's background,life experience,and literary activity as one to check and take care of,so as to deeply understand the author and his writing,explain his spiritual character and artistic realm,For the contemporary people in the period of historical transformation in the old and new,between the traditional and modern significance of questioning and seeking to expand the field of literature research.The thesis is divided into five chapters.The first chapter discusses the living environment and cultural resources that construct the writers' literary world.With the illustration of Fu Xinyu's life experience,a prince but a writer from the Qing Dynasty,the thesis discusses the spirit of traditional Chinese literati.The second chapter first introduces the Literati Society,a historical and literal research association founded by Lin Peifen,and illustrates Ye Guangqin's efforts to incorporate more folk activities in her works.Then summarizes the relationship between their different characters and style of works with the help of their essays.The third chapter combines the creation of the two writers on the Ming and Qing historical novels,analyzes and sums up the intellectuals ' creation and restoration of national memory through historical novels,conveys personal feelings and cultural pursuits,and excavates the creative experience of the soul of the nation.The fourth chapter summarizes the inheritance of "lyric" tradition of Chinese literature brought by the two writers ' discrete identity and insists on the strength of the gentleman's character in the family-centered historical narration.On the standpoint of Lin Peifen and advocating the Chinese traditional culture,the Ye Guangqin empasizes on the promotion of care,while the enlightening emphasizes the cultural value of Benedict's feelings,and inherits the art of Chinese classical culture poetics in the aesthetic category.The fifth chapter shows that the two writers are in different cultural contexts between Taiwan and the mainland,the new quality of narration in the historical evolution: Lin peifen's sense of mission of the intellectuals in the Song of Dong Xian is everlasting and historic.Ye Guangqin's series of novels featured with Beijing Style,Qinghika and the ecological novels of Qinling Mountains and the Japanese series of novels all transmit the unease and thinking about the loss of traditional culture,and embodies the rational appeal and humanistic consciousness of historical interpretation.