Singing And Research On The Baritone Part Of Chinese Vocal Music

Based on the background of the development of modern Chinese baritone singing art in different times,this paper chooses the singing style of three representative figures of Chinese baritone as the main research object,pays attention to and understands the relationship between these factors and their singing style from the perspectives of artistic experience,singing technology,artistic accomplishment and feelings,cultural concepts,and the characteristics of their singing style.For the first time,it has carried out a more standardized refining,induction and definition from the perspective of aesthetic category.On this basis,this paper makes a special analysis and Research on the common and individual characteristics of the singing style of the three representatives of Baritone in Chinese vocal music from different aspects of technical and cultural factors,and from the perspective of the selection of baritone repertoire,examines the scope and historical selection of the selection of Chinese baritone repertoire,and then analyzes and understands the development trend of Chinese baritone.In the comprehensive dimension of "representative figure art practice art style aesthetic category repertoire selection",this paper studies the typical representative figures of Baritone in Chinese vocal music.This paper is divided into four chapters:The first chapter takes "the development of baritone voice in China and its division and definition" as the title,mainly introduces the division method of baritone voice in Western voice division system,and the development and influence of baritone voice in China after the introduction of bel canto.The second chapter takes "the singing style of the representative figures in different periods of Chinese vocal baritone-Take Wen KeZheng,Liu BingYi and Liao ChangYong as examples",selects three baritone singers' singing style characteristics for research,not only summarizes their different style characteristics and artistic properties,but also looks for their common characteristics,through the overall grasp of each singer's singing style,At the same time,based on the perceptual experience and aesthetic perception of a large number of works they sing,from the perspective of vocal performance aesthetics,the singing styles of the three baritone singers discussed in this paper are summed up and refined in the specific research context,which are summarized in four words,that is,Wen Kezheng's singing style is summarized as "Tong","Rong","Ling" and "tou";Liu Bing is summarized as "Tong","Rong","Ling" and "tou" The singing style of Yi is summarized as "Kuo","Qing","Ling" and "tou";the singing style of Liao Changyong is summarized as "Kuo","Ya","Yun" and "tou".The third chapter is about "the common and individual characteristics of singing style aesthetic category of the three representatives of Baritone in Chinese vocal music".In this paper,the common and individual characteristics of the three singers' singing styles are divided into two levels(technical and cultural)for comparative study.This paper holds that the formation of the characteristics of singing styles and their life experience,learning experience,ideological and emotional,aesthetic orientation,cultural concepts,vocal music schools,professional positioning,time emotion,spirit There is a certain connection.The fourth chapter is entitled "from the selection of Chinese baritone repertoire to see the development trend of Chinese baritone",the first part of the Chinese vocal music baritone repertoire use range of historical choice to do a venation of combing,the second part is about the Chinese vocal music baritone repertoire use of thinking and understanding,the third part is the repertoire selection of cultural factors on its impact and follow the principles.This paper holds that the development of Baritone in Chinese vocal music has been in the process of continuous integration and development of Chinese and Western culture since it was introduced into China in 1920 s.From the beginning of the introduction of bel canto,taking the Western vocal music as the learning standard,to the promotion of the nationalization of bel canto,from the singing method,style,concept,selection and use of repertoire and other aspects,all experienced a development process from Westernization to nationalization,and finally to the establishment of Chinese vocal music as the goal.Along with the times and changes,its changes show a trend of continuous integration,development,balanced and diversified development.